肮脏的工业、遗产和对移民过去的抹杀

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Mirjana Lozanovska
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摘要

摘要:工业是肮脏的,即使在业务减少或关闭之后,土地、土壤和遗址仍然是有毒的。主流遗产框架与服务于国家利益和环境计划的叙事相一致,尚未想象出工业景观的遗产未来--也没有将工人的工业过去与现在和未来联系起来的叙事。重要的劳工历史往往被淡化、边缘化或完全遗漏。澳大利亚、美国、加拿大和北欧的主要建国工业都依赖于来自亚洲、欧洲和南美洲的移民劳工,他们的故事蕴含在大片工业遗址中,而这些遗址已成为废弃和被拆除建筑的荒地。"肮脏 "延伸到了 "肮脏历史 "的语言领域,特定历史的沉默与环境污染的掩盖并行不悖。本文以澳大利亚肯布拉港钢铁厂为中心,研究了移民工业劳工史,并从这个角度重新思考遗产实践和批判性碳的理论发展。如果将批判性碳概念化为一个既涉及土地开发又涉及民族剥削的问题,本文认为遗产实践需要围绕钢铁厂等移民遗产地开展项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dirty Industry, Heritage, and the Erasure of Immigrant Pasts

Abstract:

Industry is dirty, and land, soils, and sites remain toxic even after operations have diminished or closed. Dominant heritage frameworks, aligned with narratives that serve national interests, and environmental plans, have not yet imagined the heritage futures of industrial landscapes— nor the narratives that link the industrial pasts of workers to the present and the future. Significant labor histories are frequently diminished, marginalized, or omitted altogether. Major nation-building industries in Australia, America, Canada and northern Europe were dependent on immigrant labor drawn from Asia, Europe, and South America, and their stories are embedded in the large tracts of industrial sites that have become wastelands of defunct and demolished structures. “Dirty” extends onto a linguistic terrain of “dirty histories” and the silencing of particular histories parallel the masking of environmental toxicity. Focusing on the Port Kembla steelworks in Australia, this article examines immigrant industrial labor history and develops a perspective from which to rethink heritage practice and the theoretical development of critical carbon. If critical carbon is conceptualized as a matter that concerns both the exploitation of land and of peoples, this article argues that heritage practice needs to develop projects around immigrant heritage sites such as the steelworks.

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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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