杰弗里-约翰-迪克森著的《圣杯百科全书》(评论)

IF 0.5 3区 社会学 0 LITERATURE, BRITISH ISLES
Phillip C. Boardman
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The second appendix describes, in order beginning with <em>Diu Crône</em> (<em>The Crown)</em>, the importance and relationships of the developing early medieval Grail literature in the thirteenth century, a useful description and summary of some thirty versions of medieval works from both poetry and prose, including among many others Chrétien’s unfinished <em>Perceval</em>, several innovative continuations, and Malory’s <em>Le Morte Darthur</em>. The third appendix, ‘The Company of the Grail’ and subtitled ‘Some Twentieth Century Writers’ offers very brief introductions of a mere fifteen twentieth-century scholars who achieved reputations—and often notoriety—as they developed their theories about Grail origins and associated their scholarship with controversial ideas. Indeed, Dixon’s own books reveal a stage set for exploring the intellectual mysteries and occult practices (including Nazism and modernist Gnosticism) with a deep fascination for finding Arthurian concerns within our own world understanding: <em>Gawain and the Grail Quest</em> (2012); <em>The Glory of Arthur: The Legendary King in Epic Poems</em> (2014); <em>Goddess and Grail: The Battle for King Arthur’s Promised Land</em> (2017). But it must be admitted, as well, that in a time when the Arthurian materials have grown to include challenging texts, ideas, philosophical sophistication, films, comics, and alternative realities, the focus on the early decades of the twentieth century—the period of T.S. Eliot, Karl Jung, Otto Rahn, the Thule Society, Hitler, and Jessie Weston—may seem suddenly and artificially limited.</p> <p>A special gift made part of Dixon’s <em>Encyclopedia</em> are notes containing extended passages quoted in original languages, with citations, to allow useful comparisons and notes for source studies. These notes provide a running commentary on the editor’s translations from original sources and texts, so that scholars and students of the texts can readily compare the more modern versions of the stories with comparable evidence from the original languages, often commenting on the original references. The <em>Encyclopedia of the Holy Grail</em> thus serves as a toolbox for discovering and tracing the development of the medieval and modern Grail traditions, showing clear evidence of language change and textual and cultural innovation. 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To this end, Dixon reviews his endeavor through a summary essay that stands as a separate ‘Afterword’ entitled ‘Higher Mysteries: Grail Initiation as Twentieth Century Mythology.’ This essay is carefully linked to the larger Apparatus of the project and is a careful thirty-two-page exposition of the important period in the first third of the twentieth century when Arthurian scholars, fascinated by origin myths, occult symbolism, and initiation rituals, searched throughout the Grail narratives for clues connecting the occult elements.</p> <p>Dixon responds to his Afterword with three short appendices, all three first laying out a chronology of fictions, people, and historical events that he places beneath <strong>[End Page 101]</strong> the earliest fabric of the Grail stories, beginning with the birth of Jesus. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要:评论者: 杰弗里-约翰-迪克森的《圣杯百科全书》 菲利普-C-博德曼 杰弗里-约翰-迪克森的《圣杯百科全书》。麦克法兰神话与传说百科全书。麦克法兰:Jefferson, NC.2023.第 iii 页,328 页。ISBN:978-1-4766-8794-0。$39.95.近年来,亚瑟学者们有幸不断有大型翻译项目推出。与此同时,新的参考书往往将其多样性隐藏在一些约定俗成的通用类别之后:手册、词汇表、指南、字典、案例集、附录以及包括百科全书在内的其他类别。迪克森的这本新参考书研究了最著名的圣杯故事众多版本背后丰富而复杂的传统,对故事本身进行了大量的总结性重述。事实上,为此目的,迪克森指出,他的百科全书中贯穿各条目的复述是为了揭示当代圣杯学术工作的 "魅力"(第 1 页)。与其他成功的参考书一样,迪克森的百科全书对其结构和材料做了明确的说明:该书完全按字母顺序编排,力求脉络清晰而非简单的全面性。迪克森显然希望他对复述故事的关注能够鼓励读者在充满活力的叙事风格的推动下参与故事本身。为此,迪克森通过一篇题为《更高的奥秘》的总结性文章回顾了他的努力,这篇文章被单独列为 "后记":作为二十世纪神话的圣杯启蒙》。这篇文章与该项目更大的 "装置"(Apparatus)紧密相连,用 32 页的篇幅仔细阐述了 20 世纪前三分之一的重要时期,当时的亚瑟学者对起源神话、神秘主义象征和启蒙仪式非常着迷,他们在圣杯叙事中寻找连接神秘元素的线索。迪克森用三个简短的附录回应了他的后记,这三个附录首先列出了虚构、人物和历史事件的年表,他将这些年表置于圣杯故事最早的结构之下 [第101页完] ,从耶稣的诞生开始。第二个附录从《王冠》(Diu Crône)开始,依次描述了 13 世纪中世纪早期圣杯文学发展的重要性和关系,对诗歌和散文中世纪作品的大约 30 个版本进行了有用的描述和总结,其中包括克雷蒂安未完成的《佩瑟尔》(Perceval)、几个创新的续篇以及马洛里的《达瑟王》(Le Morte Darthur)。第三个附录名为 "圣杯公司",副标题为 "20 世纪的一些作家",对仅有的 15 位 20 世纪学者进行了非常简短的介绍,这些学者在发展他们的圣杯起源理论以及将他们的学术研究与有争议的观点联系起来的过程中声名鹊起,而且往往是声名狼藉。事实上,迪克森本人的著作揭示了一个探索思想奥秘和神秘实践(包括纳粹主义和现代主义诺斯替主义)的舞台,对在我们自己的世界理解中寻找亚瑟的关注点深感着迷:高文与圣杯探险》(2012 年);《亚瑟的荣耀》:亚瑟的荣耀:史诗中的传奇国王》(2014 年);《女神与圣杯》:亚瑟王应许之地之战》(2017 年)。但我们也必须承认,当亚瑟的资料已经发展到包括具有挑战性的文本、思想、哲学复杂性、电影、漫画和另类现实的时候,对二十世纪早期几十年--T.S. 艾略特、卡尔-荣格、奥托-拉恩、遒力会、希特勒和杰西-韦斯顿的时期--的关注可能会显得突然而人为地受到限制。迪克森的《百科全书》中有一份特殊的礼物,那就是注释,其中包含引用原文的扩展段落,并附有引文,以便进行有用的比较,并为资料来源研究提供注释。这些注释为编者从原始资料和文本中翻译的内容提供了连续的评注,这样,研究文本的学者和学生就可以随时将故事的现代版本与原始语言中的可比证据进行比较,并经常对原始参考资料进行评论。因此,《圣杯百科全书》是发现和追溯中世纪和现代圣杯传统发展的工具箱,清楚地显示了语言变化、文本和文化创新的证据。这些原始文本来自流行的法语、德语和中古英语亚瑟语等来源,揭示了重要的联系,这些联系将成为《圣杯百科全书》内在运作的必要提醒。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Encyclopedia of the Holy Grail by Jeffrey John Dixon (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • Encyclopedia of the Holy Grail by Jeffrey John Dixon
  • Phillip C. Boardman
jeffrey john dixon, Encyclopedia of the Holy Grail. McFarland Myth and Legend Encyclopedias. McFarland: Jefferson, NC. 2023. Pp. iii, 328. isbn: 978–1–4766–8794-0. $39.95.

Arthurian scholars have been blessed in recent years with the steady release of major translation projects. At the same time, new reference works have often hidden their variety behind some agreed generic categories: handbook, glossary, guide, dictionary, casebook, companion, and others, including encyclopedia. Dixon’s new reference work, examining the rich but complicated traditions behind the many versions of the best known of the Grail stories, offers substantial summary retellings of the stories themselves. To that end, in fact, Dixon states that the retellings throughout the entries in his encyclopedia work to reveal and enable the ‘Enchantment’ that attends the discovery of the workings of contemporary Grail scholarship (p. 1).

As with other successful reference works, Dixon’s makes its structure and materials quite clear: it is organized fully alphabetically and aims for contextual clarity rather than simple comprehensiveness. Dixon clearly wants his focus on retellings to encourage the reader’s engagement with the stories themselves, propelled by an energetic narrative style. To this end, Dixon reviews his endeavor through a summary essay that stands as a separate ‘Afterword’ entitled ‘Higher Mysteries: Grail Initiation as Twentieth Century Mythology.’ This essay is carefully linked to the larger Apparatus of the project and is a careful thirty-two-page exposition of the important period in the first third of the twentieth century when Arthurian scholars, fascinated by origin myths, occult symbolism, and initiation rituals, searched throughout the Grail narratives for clues connecting the occult elements.

Dixon responds to his Afterword with three short appendices, all three first laying out a chronology of fictions, people, and historical events that he places beneath [End Page 101] the earliest fabric of the Grail stories, beginning with the birth of Jesus. The second appendix describes, in order beginning with Diu Crône (The Crown), the importance and relationships of the developing early medieval Grail literature in the thirteenth century, a useful description and summary of some thirty versions of medieval works from both poetry and prose, including among many others Chrétien’s unfinished Perceval, several innovative continuations, and Malory’s Le Morte Darthur. The third appendix, ‘The Company of the Grail’ and subtitled ‘Some Twentieth Century Writers’ offers very brief introductions of a mere fifteen twentieth-century scholars who achieved reputations—and often notoriety—as they developed their theories about Grail origins and associated their scholarship with controversial ideas. Indeed, Dixon’s own books reveal a stage set for exploring the intellectual mysteries and occult practices (including Nazism and modernist Gnosticism) with a deep fascination for finding Arthurian concerns within our own world understanding: Gawain and the Grail Quest (2012); The Glory of Arthur: The Legendary King in Epic Poems (2014); Goddess and Grail: The Battle for King Arthur’s Promised Land (2017). But it must be admitted, as well, that in a time when the Arthurian materials have grown to include challenging texts, ideas, philosophical sophistication, films, comics, and alternative realities, the focus on the early decades of the twentieth century—the period of T.S. Eliot, Karl Jung, Otto Rahn, the Thule Society, Hitler, and Jessie Weston—may seem suddenly and artificially limited.

A special gift made part of Dixon’s Encyclopedia are notes containing extended passages quoted in original languages, with citations, to allow useful comparisons and notes for source studies. These notes provide a running commentary on the editor’s translations from original sources and texts, so that scholars and students of the texts can readily compare the more modern versions of the stories with comparable evidence from the original languages, often commenting on the original references. The Encyclopedia of the Holy Grail thus serves as a toolbox for discovering and tracing the development of the medieval and modern Grail traditions, showing clear evidence of language change and textual and cultural innovation. These original texts from popular French, German, and Middle English Arthurian sources, among others, reveal important connections that will become necessary reminders of the inner workings of...

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来源期刊
Arthuriana
Arthuriana Multiple-
CiteScore
0.30
自引率
0.00%
发文量
24
期刊介绍: Arthuriana publishes peer-reviewed, on-line analytical and bibliographical surveys of various Arthurian subjects. You can access these e-resources through this site. The review and evaluation processes for e-articles is identical to that for the print journal . Once accepted for publication, our surveys are supported and maintained by Professor Alan Lupack at the University of Rochester through the Camelot Project.
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