法西斯主义的 "新天主教":埃内斯托-吉梅内斯-卡瓦列罗、意大利知识分子网络和 1932 年沃尔塔会议

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Fascism Pub Date : 2024-04-08 DOI:10.1163/22116257-bja10073
Simone Muraca
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引用次数: 0

摘要

本文重点介绍了西班牙作家埃内斯托-吉梅内斯-卡瓦列罗(1899-1988 年)作为 20 世纪 30 年代法西斯国际主义调解人的思想轨迹。卡瓦列罗是一位作家和记者,由于与法西斯政权的知识界、外交界和政界要人有着重要的友谊,他在意大利享有盛名。他在 1932 年的伏尔塔会议上提出了法西斯普遍主义理论,认为法西斯主义是欧洲真正的统一原则。他认为法西斯主义是欧洲的 "新天主教"。受墨索里尼 "神术天才 "的启发,卡瓦列罗指出,这个新欧洲的中心是罗马,他认为罗马在经历了漫长的不确定时期后,重新焕发了古代的光彩。文章将探讨卡瓦列罗思想的主要特征及其在其思想传记中的起源,强调个人和跨国网络在构建其愿景中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The ‘New Catholicity’ of Fascism: Ernesto Giménez Caballero, the Italian Intellectual Network, and the Volta Conference of 1932

This article highlights the intellectual trajectory of the Spanish writer Ernesto Gimenez Caballero (1899–1988) as mediator of fascist internationalism during the 1930s. Caballero, a writer and journalists, was known in Italy thanks to important friendships with leading intellectual, diplomatic and political figures of the Fascist regime. His theory of fascist universalism, presented at the Volta Conference of 1932, identified fascism as the true, unifying principle of Europe. He regarded fascism as ‘the new Catholicity’ of Europe. Inspired by ‘the thaumaturgic genius’ of Mussolini, Caballero pointed out that the center of this new Europe was Rome, which he considered had been reborn with the glories of the ancient times after a long period of uncertainty. The article will explore the key features of Caballero’s idea and their origins within his intellectual biography, stressing the role of personal and transnational networking in the construction of his vision.

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来源期刊
Fascism
Fascism HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
审稿时长
20 weeks
期刊介绍: Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.
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