"芸芸众生的巨大悲哀":科马克-麦卡锡《苏特里》中的一体性悲怆

IF 0.2 3区 文学 N/A LITERATURE
ORBIS LITTERARUM Pub Date : 2024-04-10 DOI:10.1111/oli.12447
Russell M. Hillier
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引用次数: 0

摘要

在科马克-麦卡锡(Cormac McCarthy)的《苏特里》(Suttree)中,小说主人公科尼利厄斯-苏特里(Cornelius Suttree)抵制了他父亲对尼采式 "距离的悲怆 "的自以为是的信念,他生活在诺克斯维尔(Knoxville)的无助和赤贫者中间,并检验了 "街道上什么也没有发生 "的理论。在这座城市的底层民众中,苏特里发现了人类苦难的共性,并深刻认识到 "所有的灵魂都是一个整体,所有的灵魂都是孤独的"。这篇文章展示了苏特里对匮乏和贫穷的亲身经历,以及他对他人经常遭受的不公正苦难的感知和关注所引发的同感、怜悯和愤怒,这些都是悲怆的实例,说服他摒弃父亲的贵族和精英主义的 "距离的悲怆",转而选择平等和民主的 "一体的悲怆"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“An enormous sadness touched with rue”: The pathos of oneness in Cormac McCarthy's Suttree
In Cormac McCarthy's Suttree, the novel's titular protagonist Cornelius Suttree resists his father's self‐righteous conviction in the Nietzschean “pathos of distance” by living among Knoxville's helpless and destitute and testing the theory that “there is nothing occurring in the streets.” Among the city's underclass, Suttree finds a commonality in human suffering and comes to the profound realization that “all souls are one and all souls lonely.” The essay demonstrates how Suttree's personal experience of dearth and deprivation and the sense of fellow feeling, pity, and outrage elicited from his perception of and concern for the frequently unjust suffering of others are instances of pathos that persuade him to reject his father's aristocratic and elitist “pathos of distance” in favor of the egalitarian and democratic “pathos of oneness.”
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来源期刊
ORBIS LITTERARUM
ORBIS LITTERARUM LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
38
期刊介绍: Orbis Litterarum is an international journal devoted to the study of European, American and related literature. Orbis Litterarum publishes peer reviewed, original articles on matters of general and comparative literature, genre and period, as well as analyses of specific works bearing on issues of literary theory and literary history.
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