蜗牛男孩与萨里-帕托的故事

Norbert Béres
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引用次数: 0

摘要

萨多尔-裴多菲(Sándor Petőfi)的作品是研究最深入的作品之一,但其中仍有一些部分--矛盾的是--在文学意识中鲜为人知。裴多菲的散文可以被看作是一个 "盲点",它没有被纳入公共教育的课程中,也几乎没有在专业讨论中被讨论过,因为这部作品被认为是边缘作品。裴多菲早在 19 世纪 40 年代就宣布了自己的多才多艺,他翻译散文,并在小说和短篇小说中尝试不同的叙事技巧。裴多菲的短篇小说与出版业的经济问题密切相关,但不应简单地将其视为 "填充物",因为我们可以从文学的角度来分析这些文本,考虑这些实验性短篇小说中体裁惯例、叙事风格和色调的变化,以及与其他作品文本的互动。本文就文本的现实效果对裴多菲最新发表的短篇小说进行了评述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Csigolya fiú esete Pató Sárival
The oeuvre of Sándor Petőfi is one of the most well-researched one, still it has parts which are – paradoxically – lesser-known in the literary consciousness. The prose of Petőfi can be seen as a “blind spot” which has not been integrated into the curriculum of public education and it was hardly ever discussed in the professional discourse as this corpus was considered to have a marginal status. Petőfi, who oŸen declared his versatility in the 1840s, translated prose and experimented with different narrative techniques in his novel and short stories. Petőfi’s short stories are strongly connected to the financial aspects of publishing, however, they should not be viewed simply as “fillers” since these texts can be analysed from a literary perspective, considering the variation of genre conventions, narrative styles and tones in these experimental short stories which interact with the other texts of the oeuvre, as well. This paper reviews Petőfi’s latest published short story regarding the reality effects of the text.
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