{"title":"通过文学和翻译追溯出身:巴黎的葡萄牙加尔干图亚人(1848 年)","authors":"Rita Bueno Maia","doi":"10.1515/culture-2022-0203","DOIUrl":null,"url":null,"abstract":"\n The present article explores the way translated literature informs on (i) how exile shapes the cities’ landscapes (both the starting city and the arrival), as well as (ii) the emotional hardship of the exilic condition, which entails a feeling of estrangement and the longing for imaginary homelands. To attain this twofold aim, it focuses on the eighteenth- and nineteenth-century Portuguese migrant movements to Paris. It searches, on the one hand, to retrace exilience in descriptions of Lisbon and Paris in biographical accounts of Portuguese exiles. On the other hand, it analyses an 1848 rewriting of Rabelais’ Gargantua in Portuguese. It is contented that Gargantua Portuguez [Portuguese Gargantua] bears testimony of the presence of anonymous Portuguese-language exiles in mid-nineteenth-century Paris, while creating a “safe house” for them, by seeking historical justice which would, in turn, assist in coping with the exilic condition.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tracing Exilience Through Literature and Translation: A Portuguese Gargantua in Paris (1848)\",\"authors\":\"Rita Bueno Maia\",\"doi\":\"10.1515/culture-2022-0203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The present article explores the way translated literature informs on (i) how exile shapes the cities’ landscapes (both the starting city and the arrival), as well as (ii) the emotional hardship of the exilic condition, which entails a feeling of estrangement and the longing for imaginary homelands. To attain this twofold aim, it focuses on the eighteenth- and nineteenth-century Portuguese migrant movements to Paris. It searches, on the one hand, to retrace exilience in descriptions of Lisbon and Paris in biographical accounts of Portuguese exiles. On the other hand, it analyses an 1848 rewriting of Rabelais’ Gargantua in Portuguese. It is contented that Gargantua Portuguez [Portuguese Gargantua] bears testimony of the presence of anonymous Portuguese-language exiles in mid-nineteenth-century Paris, while creating a “safe house” for them, by seeking historical justice which would, in turn, assist in coping with the exilic condition.\",\"PeriodicalId\":41385,\"journal\":{\"name\":\"Open Cultural Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/culture-2022-0203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/culture-2022-0203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了翻译文学如何提供以下方面的信息:(i) 流亡如何塑造城市景观(包括出发城市和抵达城市),以及 (ii) 流亡者的情感困境,其中包括疏离感和对想象中家园的渴望。为了实现这一双重目标,本研究侧重于十八和十九世纪葡萄牙移民巴黎的情况。一方面,它通过葡萄牙流亡者传记中对里斯本和巴黎的描述来追溯流亡生活。另一方面,它分析了 1848 年用葡萄牙语改写的拉伯雷的《加尔干图阿》。葡萄牙文《Gargantua Portuguez》见证了十九世纪中叶匿名葡萄牙语流亡者在巴黎的存在,同时也为他们创建了一个 "安全屋",通过寻求历史正义来帮助他们应对流亡状况。
Tracing Exilience Through Literature and Translation: A Portuguese Gargantua in Paris (1848)
The present article explores the way translated literature informs on (i) how exile shapes the cities’ landscapes (both the starting city and the arrival), as well as (ii) the emotional hardship of the exilic condition, which entails a feeling of estrangement and the longing for imaginary homelands. To attain this twofold aim, it focuses on the eighteenth- and nineteenth-century Portuguese migrant movements to Paris. It searches, on the one hand, to retrace exilience in descriptions of Lisbon and Paris in biographical accounts of Portuguese exiles. On the other hand, it analyses an 1848 rewriting of Rabelais’ Gargantua in Portuguese. It is contented that Gargantua Portuguez [Portuguese Gargantua] bears testimony of the presence of anonymous Portuguese-language exiles in mid-nineteenth-century Paris, while creating a “safe house” for them, by seeking historical justice which would, in turn, assist in coping with the exilic condition.