A. P. 赫伊多克短篇小说集《满洲里的星星》中作为形象主体的多元文化

Guanqiong Lin
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摘要

文章致力于研究哈尔滨散居国外的著名作家阿-皮-赫伊多克(A. P. Hejdok)短篇小说中的多元文化现象,他于 1934 年出版了短篇小说集《满洲里的星星》。文章作者详细分析了作品中的事件、人物的行为重点和心态,这些都有机地反映了中国、俄罗斯、蒙古、埃及、满洲各民族的文化元素以及圣经情节。重点是通过佛教和道教分析中国的神秘世界。在研究过程中,主要研究了该小说集中的以下短篇小说:"三哑巴》(1932 年)、《满族公主》(1930 年)、《迈阿密》(1931 年)、《梦庙》(1932 年)、《无名氏》(1931 年)、《狗嚎》(1929 年)和《小路》(1931 年)。文章采用描述、诠释、比较、历史-文学和历史-文化等方法对文本进行分析。本文的科学新颖性在于首次对《满洲里的星星》中的短篇小说集进行了包括文化在内的跨学科综合分析,考察了以往出版的著作中未涉及的细节,并在分析多元文化现象的基础上,首次确定了短篇小说中的艺术方法。研究得出以下结论:1.赫伊多克在作品集中以自己的方式融合了各种文化细节,使作品富有表现力,引人入胜,有助于情节的发展。2.2. 在历史现实的背景下,多元文化现象赋予了短篇小说集创造神话的特点。通过将现实描写与这种文化现象相结合,赫伊多克创作出了一种类似魔幻现实主义的独特散文,它的出现与作家创作道路的开端不谋而合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multiculturality as a Subject of the Image in the Collection of Short Stories “The Stars of Manchuria” by A. P. Hejdok
The article is devoted to the study of the multicultural phenomenon of the short stories by the popular writer of the Harbin diaspora A. P. Hejdok, who published the collection “The Stars of Manchuria” in 1934. The author of the article analyzes in detail the events in the works, the behavioral priorities and mindset of the characters, which organically reflect the cultural elements of China, Russia, Mongolia, Egypt, Manchurian ethnic groups, as well as biblical plots. The emphasis is on analyzing the mysterious world of China through Buddhism and Taoism. During the research, the following short stories in the collection were mainly studied: “Three Duds” (1932), “The Manchu Princess” (1930), “Miami” (1931), “The Temple of Dreams” (1932), “The Unknown” (1931), “The Dogs Howl” (1929) and “The Path” (1931). The article uses descriptive, hermeneutic, comparative, historical-literary and historical-cultural methods to analyze the texts. The scientific novelty of this article lies in the fact that for the first time a comprehensive, interdisciplinary, including cultural, analysis of the short stories in the collection “The Stars of Manchuria” was carried out, details not touched upon in previously published works were examined, and based on the analysis of the multicultural phenomenon, the artistic method in the short stories is determined for the first time. The research resulted in the following conclusions: 1. Hejdok in the collection integrates various cultural details in his own way, which make the works expressive, engaging, and contribute to the development of the plot. 2. The multicultural phenomenon gives the short stories of the collection myth-making characteristics against the backdrop of historical reality. By combining realistic description and this cultural phenomenon, Hejdok creates a distinctive prose similar to magic realism, the appearance of which coincides with the beginning of the writer’s creative path.
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