{"title":"古典和数字马来时代的潘屯:现象学研究","authors":"Hidayatun Nur","doi":"10.58256/fytw0v24","DOIUrl":null,"url":null,"abstract":"Pantun has been used since the Classical Malay era by the people of Riau, Indonesia, and even It has been tied to the people of Riau at that time. In the digital age, Pantun continues to exist in Riau and Indonesia. It has been inaugurated as an Intangible Cultural Heritage, which UNESCO inaugurated in December 2020. This study aims to describe the function of Pantun in the Classical Malay era and the digital era in Malay society in Riau Province, Indonesia. This research is descriptive qualitative research using a phenomenological strategy. Data were collected by interview techniques, namely with humanists, chanters, and Pantun maestros, and then through documentation and observation. Pantun data was taken from representatives of the four major rivers in Riau: the Rokan, Siak, Kampar, and Indragiri. The validation of the research data was carried out using source triangulation. Data analysis was done using interactive techniques: data reduction, presentation, analysis, and conclusion. The results of this study indicate that the function of Pantun in Riau in the Classical Malay era was the function of communication in daily life, in traditional wedding processions and conveying feelings of affection, didactic functions, entertainment functions, and kamal functions. The function of Pantun in Riau in the digital era is only to open and close remarks at an event, such as in traditional wedding processions and performing arts entertainment. ","PeriodicalId":516818,"journal":{"name":"Research Journal in Advanced Humanities","volume":"73 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pantun in the Classical and Digital Malay Era: A Phenomenological Study\",\"authors\":\"Hidayatun Nur\",\"doi\":\"10.58256/fytw0v24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pantun has been used since the Classical Malay era by the people of Riau, Indonesia, and even It has been tied to the people of Riau at that time. In the digital age, Pantun continues to exist in Riau and Indonesia. It has been inaugurated as an Intangible Cultural Heritage, which UNESCO inaugurated in December 2020. This study aims to describe the function of Pantun in the Classical Malay era and the digital era in Malay society in Riau Province, Indonesia. This research is descriptive qualitative research using a phenomenological strategy. Data were collected by interview techniques, namely with humanists, chanters, and Pantun maestros, and then through documentation and observation. Pantun data was taken from representatives of the four major rivers in Riau: the Rokan, Siak, Kampar, and Indragiri. The validation of the research data was carried out using source triangulation. Data analysis was done using interactive techniques: data reduction, presentation, analysis, and conclusion. The results of this study indicate that the function of Pantun in Riau in the Classical Malay era was the function of communication in daily life, in traditional wedding processions and conveying feelings of affection, didactic functions, entertainment functions, and kamal functions. The function of Pantun in Riau in the digital era is only to open and close remarks at an event, such as in traditional wedding processions and performing arts entertainment. \",\"PeriodicalId\":516818,\"journal\":{\"name\":\"Research Journal in Advanced Humanities\",\"volume\":\"73 3\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research Journal in Advanced Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58256/fytw0v24\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research Journal in Advanced Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58256/fytw0v24","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Pantun in the Classical and Digital Malay Era: A Phenomenological Study
Pantun has been used since the Classical Malay era by the people of Riau, Indonesia, and even It has been tied to the people of Riau at that time. In the digital age, Pantun continues to exist in Riau and Indonesia. It has been inaugurated as an Intangible Cultural Heritage, which UNESCO inaugurated in December 2020. This study aims to describe the function of Pantun in the Classical Malay era and the digital era in Malay society in Riau Province, Indonesia. This research is descriptive qualitative research using a phenomenological strategy. Data were collected by interview techniques, namely with humanists, chanters, and Pantun maestros, and then through documentation and observation. Pantun data was taken from representatives of the four major rivers in Riau: the Rokan, Siak, Kampar, and Indragiri. The validation of the research data was carried out using source triangulation. Data analysis was done using interactive techniques: data reduction, presentation, analysis, and conclusion. The results of this study indicate that the function of Pantun in Riau in the Classical Malay era was the function of communication in daily life, in traditional wedding processions and conveying feelings of affection, didactic functions, entertainment functions, and kamal functions. The function of Pantun in Riau in the digital era is only to open and close remarks at an event, such as in traditional wedding processions and performing arts entertainment.