{"title":"亲密的星球关系","authors":"Agnethe Bennedsgaard","doi":"10.7146/pas.v38i90.143025","DOIUrl":null,"url":null,"abstract":"This article aims to show how planetary comparativism, inspired by Gayatri Chakravorty Spivak, can be used as a framework that embraces the alienating state of the world. Herein, I study how intimate and planetary perspectives melt together in the neogothic feminist novels of Hang Kang and Samanta Schweblin. I thus conclude that planetarity can function both as planetary perspectives within novels but also as an alienating planetary reading strategy.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"57 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intim planetaritet\",\"authors\":\"Agnethe Bennedsgaard\",\"doi\":\"10.7146/pas.v38i90.143025\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to show how planetary comparativism, inspired by Gayatri Chakravorty Spivak, can be used as a framework that embraces the alienating state of the world. Herein, I study how intimate and planetary perspectives melt together in the neogothic feminist novels of Hang Kang and Samanta Schweblin. I thus conclude that planetarity can function both as planetary perspectives within novels but also as an alienating planetary reading strategy.\",\"PeriodicalId\":360035,\"journal\":{\"name\":\"Passage - Tidsskrift for litteratur og kritik\",\"volume\":\"57 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Passage - Tidsskrift for litteratur og kritik\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/pas.v38i90.143025\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Passage - Tidsskrift for litteratur og kritik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/pas.v38i90.143025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article aims to show how planetary comparativism, inspired by Gayatri Chakravorty Spivak, can be used as a framework that embraces the alienating state of the world. Herein, I study how intimate and planetary perspectives melt together in the neogothic feminist novels of Hang Kang and Samanta Schweblin. I thus conclude that planetarity can function both as planetary perspectives within novels but also as an alienating planetary reading strategy.