地理现实还是文学幻想:作为自然死亡景观的泰纳隆 nekuomanteion

J. Gordon
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引用次数: 0

摘要

摘要:本文通过对 "自然死亡景观 "这一 "terium quid "的新颖分析,重新定义了 nekuomanteia 的现实和想象地形的二元论。这一框架被应用于泰纳隆 nekuomanteion 的案例研究。文学描述与考古记录的比较揭示了这一景观呈现中的许多异常现象,包括想象中的小树林、泉水和不可能的定位。虽然传统的分析方法将这些问题解释为诗歌许可或传统的结果,但这种方法无法解释所有可识别的不一致之处。因此,该遗址被认定为自然死亡景观,一个与死亡/亡灵相关联的地方,并被赋予了多方面的社会文化意义,作为一种补充,将遗址的真实地形和想象地形凝聚成一个整体景观。在这一空间融合的范例中,我们特别关注了景观创造和末世论反思过程中所固有的社会文化功能之间的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Geographical Reality or Literary Fantasy: The Tainaron nekuomanteion as a Natural Deathscape
abstract:This article redefines the dualism of nekuomanteia's real and imagined topographies via a novel analysis of the tertium quid that is "natural deathscapes." This framework is applied to the case study of the nekuomanteion at Tainaron. Comparison between the literary descriptions and the archaeological record reveals numerous anomalies within this landscape's presentation, including an imaginary grove, spring, and impossible localizations. While traditional analyses explain away such matters as the result of poetic license or tradition, this approach cannot account for all identifiable inconsistencies. Thus, the site's identification as a natural deathscape, a place associated with death/the dead and imbued with multifaceted sociocultural meanings, serves as a tertium quid that coalesces the site's real and imagined topographies into a holistic landscape. Within this paradigm of spatial syncretism, particular attention is paid to the interaction of sociocultural functions inherent within the processes of landscape creation and eschatological reflection.
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