索福拉《甜蜜的陷阱》和索因卡《杰罗兄弟的审判》中婚姻冲突话语的人际元功能分析

Lucy Chinwe Nweke
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引用次数: 0

摘要

本研究探讨了尼日利亚戏剧选段中描述的夫妻在冲突互动过程中所使用的语言选择。分析立足于 Michael Halliday(1960 年)的人际元功能理论框架的模态方面。其模态特异性是因为它是产生人际意义的语法资源。分析的重点是剧中夫妻在对话互动过程中的挑衅性语言使用。分析采用定性研究设计,数据收集采用目的性抽样技术。分析使用了二十五(25)份数据摘录。结果显示,调式义务调式占主导地位,其次是调式倾向调式,小部分是高概率调式。调制调式的盛行是因为配偶之间的关系围绕着提议展开,这是一种表达提议或命令的言语功能形式。该研究向读者揭示了变体模态的使用情况,并提供了线索,使读者了解在婚姻等友好关系中不适当地使用高音类型所产生的负面影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interpersonal Metafunctional Analysis of Marital Conflictual Discourse in Sofola’s the Sweet Trap and Soyinka’s Trials of Brother Jero
This research examines language choices employed by the spouses during their conflictual interactivity as depicted in the select Nigerian plays. The analysis is anchored on Modality aspect of Interpersonal Metafunction theoretical Framework of Michael Halliday, 1960. Its modality specificity is because it is a grammatical resource for making interpersonal meaning. The analysis focuses on the provocative language usages of the spouses during their dialogical interactivity in the plays. The analysis is of qualitative research design, and thesampling technique for data collection is purposive. Twenty-five (25) data excerpts are used for the analysis. The result shows dominance of Modulation Obligation modals, followed by Modulation Inclination, and a minor detect of high Probability Modalization. The prevalence of the Modulation modality is as a result that the spouses’ relations revolves around proposal, a form of speech function that expresses either offer or command. Command aspects of it is found prevalent within the conflictual discourse of the male spouse, who expects obeisance of the commands from his female counterpart.The research reveals to the reader the use of variants modals and gives clue to understanding the negative implication of inappropriate application of high sounding types in cordial relationship like marriage.
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