{"title":"电影能量:对托尼-吉尔罗伊的剧本《迈克尔-克莱顿》(2006 年)的文本分析","authors":"Lee Goodare","doi":"10.1386/josc_00141_1","DOIUrl":null,"url":null,"abstract":"This article presents a textual analysis of Tony Gilroy’s 126-page screenplay for Michael Clayton (2006) based on the Final Shooting Script, available online and published by Newmarket Press. Screenplays, in addition to being film production documents, can reach in digital and published forms a burgeoning audience that includes critics, scholars, academics, apprentice writers and the general public. And though it is well documented in screenwriting theory that screenplays can and should be analysed in line with works of literature, they remain under-investigated as texts in their own right. The screenwriting discipline, I argue, merits a corpus of close textual analyses of screenplays. This article makes one such contribution, presenting a digest of some key features and techniques in Michael Clayton, which combine to create writerly style and remind us of the richness and educational benefits of the screenplay-as-literary-object.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Filmish energy: A textual analysis of Tony Gilroy’s screenplay, Michael Clayton (2006)\",\"authors\":\"Lee Goodare\",\"doi\":\"10.1386/josc_00141_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents a textual analysis of Tony Gilroy’s 126-page screenplay for Michael Clayton (2006) based on the Final Shooting Script, available online and published by Newmarket Press. Screenplays, in addition to being film production documents, can reach in digital and published forms a burgeoning audience that includes critics, scholars, academics, apprentice writers and the general public. And though it is well documented in screenwriting theory that screenplays can and should be analysed in line with works of literature, they remain under-investigated as texts in their own right. The screenwriting discipline, I argue, merits a corpus of close textual analyses of screenplays. This article makes one such contribution, presenting a digest of some key features and techniques in Michael Clayton, which combine to create writerly style and remind us of the richness and educational benefits of the screenplay-as-literary-object.\",\"PeriodicalId\":41719,\"journal\":{\"name\":\"Journal of Screenwriting\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-01-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Screenwriting\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/josc_00141_1\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Screenwriting","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/josc_00141_1","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Filmish energy: A textual analysis of Tony Gilroy’s screenplay, Michael Clayton (2006)
This article presents a textual analysis of Tony Gilroy’s 126-page screenplay for Michael Clayton (2006) based on the Final Shooting Script, available online and published by Newmarket Press. Screenplays, in addition to being film production documents, can reach in digital and published forms a burgeoning audience that includes critics, scholars, academics, apprentice writers and the general public. And though it is well documented in screenwriting theory that screenplays can and should be analysed in line with works of literature, they remain under-investigated as texts in their own right. The screenwriting discipline, I argue, merits a corpus of close textual analyses of screenplays. This article makes one such contribution, presenting a digest of some key features and techniques in Michael Clayton, which combine to create writerly style and remind us of the richness and educational benefits of the screenplay-as-literary-object.
期刊介绍:
The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.