Navigating Spaces, Transforming Places: A Masseyan Analysis of Gender Empowerment in Kamali

Discrimination against men and women is largely made possible by the gendered division of space. It is normal for men to occupy public spaces, whereas women are restricted to domestic spaces like kitchen. As Indian society is patriarchal, it resonates with the mainstream discourse of spatial gender division. Women’s access to sports is limited by this gendered spatial setup as sporting activities are performed in so-called public spaces; traditionally, sports have been considered a “male preserve.” (Theberge, 1985) Adventure sports like skydiving, surfing, skating, mountain climbing, and mountaineering are traditionally performed by men. Hence, the mere participation of women in these activities challenges the masculine hegemony and gendered division of space that these activities entail. This paper critically examines the documentary titled, “Kamali” (2019) directed by Sasha Rainbow, which tells the inspiring story of Kamali Moorthy, a young skateboarder challenging societal norms in a small fishing village in Tamil Nadu, India. By employing Doreen Massey's space, place, and gender theory, the paper seeks to examine how the film explores the intersections of space, place, and gender within the cultural context. Doreen Massey's theoretical framework emphasizes the fluidity and relational nature of space and place, challenging fixed and essentialist perspectives.