{"title":"对澳大利亚约克角半岛劳拉(昆坎)岩画中的鲶鱼、鲶鱼和鳗鱼图案进行分类","authors":"Noelene Cole, Christine Musgrave, Roseanne George, Lynley Wallis","doi":"10.56801/rar.v41i1.271","DOIUrl":null,"url":null,"abstract":"Fish motifs in Aboriginal rock art of the Laura area (Cape York Peninsula, Queensland, Australia) include a heterogenous group that has been imprecisely classified by rock art researchers. By analysing motif attributes, style and contexts (including natural populations), we characterised three categories: fork-tailed catfish (Neoarius paucus), eel-tailed catfish (Neosilurus spp.) and eel (Anguilla reinhardti). We label the categories with the local names ‘catfish’, ‘jewfish’ and ‘eel’. The catfish cohort has a relatively naturalistic style, while the eel exhibits anatomical trends of eels, distinctive arrangements, and stylistic overlaps with jewfish that may denote shared meanings. Ambiguity is confirmed as a cultural value and communication mode of the rock art system.","PeriodicalId":21481,"journal":{"name":"Rock Art Research","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CATEGORISING CATFISH, JEWFISH AND EEL MOTIFS IN LAURA (QUINKAN) ROCK ART, CAPE YORK PENINSULA, AUSTRALIA\",\"authors\":\"Noelene Cole, Christine Musgrave, Roseanne George, Lynley Wallis\",\"doi\":\"10.56801/rar.v41i1.271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Fish motifs in Aboriginal rock art of the Laura area (Cape York Peninsula, Queensland, Australia) include a heterogenous group that has been imprecisely classified by rock art researchers. By analysing motif attributes, style and contexts (including natural populations), we characterised three categories: fork-tailed catfish (Neoarius paucus), eel-tailed catfish (Neosilurus spp.) and eel (Anguilla reinhardti). We label the categories with the local names ‘catfish’, ‘jewfish’ and ‘eel’. The catfish cohort has a relatively naturalistic style, while the eel exhibits anatomical trends of eels, distinctive arrangements, and stylistic overlaps with jewfish that may denote shared meanings. Ambiguity is confirmed as a cultural value and communication mode of the rock art system.\",\"PeriodicalId\":21481,\"journal\":{\"name\":\"Rock Art Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2024-01-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rock Art Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56801/rar.v41i1.271\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rock Art Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56801/rar.v41i1.271","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
CATEGORISING CATFISH, JEWFISH AND EEL MOTIFS IN LAURA (QUINKAN) ROCK ART, CAPE YORK PENINSULA, AUSTRALIA
Fish motifs in Aboriginal rock art of the Laura area (Cape York Peninsula, Queensland, Australia) include a heterogenous group that has been imprecisely classified by rock art researchers. By analysing motif attributes, style and contexts (including natural populations), we characterised three categories: fork-tailed catfish (Neoarius paucus), eel-tailed catfish (Neosilurus spp.) and eel (Anguilla reinhardti). We label the categories with the local names ‘catfish’, ‘jewfish’ and ‘eel’. The catfish cohort has a relatively naturalistic style, while the eel exhibits anatomical trends of eels, distinctive arrangements, and stylistic overlaps with jewfish that may denote shared meanings. Ambiguity is confirmed as a cultural value and communication mode of the rock art system.