社区学院汤加籍刑满释放学生的艺术作品

Steven Petelo
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引用次数: 0

摘要

这篇文章摘自我的论文研究,该研究探讨了三名汤加裔美国人的生活经历,他们都曾被关进少年监狱,现在作为当地社区学院过渡项目的一部分上大学。这项研究通过强调教育和司法系统忽视生活在美国的汤加人的双重文化现实的方式,介绍了汤加版本的学校与监狱之间的关系。我采用并融合了 Fa'avae(2016 年)的 talanoa 和 Lawrence-Lightfoot 与 Davis(1997 年)的肖像画方法,与我的堂兄、汤加籍国际艺术家塔尼拉-佩特洛(Taniela Petelo)合作,共同创造了一种新方法--"艺术"(Artiture),以探讨以下问题:汤加学生在被少年司法系统监禁后上大学时面临哪些挑战?该艺术家具的研究结果突出了家庭、历史、文化义务和期望的交叉点,以及对美国汤加人的影响,他们需要面对瓦卡拉希(2009 年)所说的 "双重文化"(第 1259 页)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Artiture of Formerly Incarcerated Tongan Students in Community College
This article is taken from my dissertation study that explored the lived experiences of three Tongan Americans, each of whom were incarcerated in juvenile hall and are now attending college as a part of a transition program into local community colleges. The study introduced a Tongan version of the school-prison nexus by highlighting the ways in which the education and the justice systems work to ignore the dual culture realities of Tongans living in the United States. Adopting and fusing Fa‘avae’s (2016) talanoa and Lawrence-Lightfoot and Davis’ (1997) portraiture methodologies, I co-created a new approach Artiture—in collaboration with Taniela Petelo, my cousin, a Tongan-based international artist—to explore the following question: What are the challenges Tongan students face when they attend college after being incarcerated in the juvenile justice system? Findings from this Artiture highlighted intersections of family, history, cultural obligations and expectations, and the impact on Tongan Americans who deal with what Vakalahi (2009) calls “dual culture” (pg. 1259).
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