Sulaimān Al-Jamzūrī 所著《Matan Tuḥfah Al-Aṭfāl 》中的 "Saja "之美

Zahrotul Qotrunnada, Sayyed Zuhdi Abdil Ghany, I. Suryaningsih
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摘要

阿拉伯语是全球交流的工具,也是全球 20 亿穆斯林的主要语言。在阿拉伯语中,有各种不同的话语和学术领域。其中一个领域是巴迪学(Badīʿ),它是巴拉加(Balāghah,修辞学)的一个分支。巴迪学的一个关键领域是研究阿拉伯语句子结构结尾处两个单词最后字母的相似性。这种相似被称为 "sajaʿ",它增强了发音的优雅性,是巴拉格哈的一个重要方面。本研究致力于探讨伊玛目苏莱曼-贾姆祖里(Imam Sulaimān Al-Jamzūrī)所著的《古兰经诵读学》(Tajwid)中的这一美学维度。本研究采用描述-分析的定性方法,并将巴迪理论作为分析框架。研究结果表明,《图阿法》的文本体现了 "萨雅"(sajaʿ)的美学特质,具体表现为三个不同的类别:muṭarraf、muraṣaʿ 和 mutawāzī。这种美学品质对学生和教育工作者来说都是无价之宝,有助于在教育环境中记忆和理解《图解阿勒阿特法尔》。此外,它还能丰富普通读者的阅读体验,让他们领略其表达之美。尽管有这些见解,但仍有必要开展进一步的研究,以探索《图阿尔阿塔法》中除 "萨迦 "之外的其他美感维度。此外,研究各种阿拉伯文学作品中的 sajaʿ 美元素将有助于更全面地了解其意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Keindahan Saja’ Dalam Matan Tuḥfah Al-Aṭfāl Karya Sulaimān Al-Jamzūrī
The Arabic language serves as a global communication tool and is the principal language for 2 billion Muslims across the globe. Within Arabic, there are diverse realms of discourse and academic pursuits. One such domain is the Science of Badīʿ, a branch of Balāghah (rhetoric). A key area within the Science of Badīʿ delves into the resemblance of the final letters of two words at the conclusion of Arabic sentence structures. This resemblance, termed "sajaʿ," enhances the elegance of pronunciation, a pivotal facet of Balāghah. This research endeavors to explore this aesthetic dimension within the text of Tuḥfah Al-Aṭfāl, authored by Imam Sulaimān Al-Jamzūrī, a foundational work in Tajwid, the science of Quranic recitation. Employing a qualitative methodology with a descriptive-analytical approach, this study utilizes the Badīʿ theory as an analytical framework. The findings of this research reveal that the text of Tuḥfah Al-Aṭfāl embodies the grace of sajaʿ, which manifests in three distinct categories: muṭarraf, muraṣṣaʿ, and mutawāzī. This aesthetic quality proves invaluable for both students and educators, aiding in the memorization and comprehension of Tuḥfah Al-Aṭfāl within an educational context. Furthermore, it enriches the experience for general readers, allowing them to appreciate the beauty of its expression. Despite these insights, further research is essential to explore other dimensions of beauty present in Tuḥfah Al-Aṭfāl beyond sajaʿ. Additionally, investigating the element of sajaʿ beauty in various Arabic literary works would provide a more comprehensive understanding of its significance.
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