从小学四年级整体艺术教育的角度分析独立课程中音乐内容的 SBdP 学习活动。

Lathifa Hasta Maullana Wibisono, Karsono Karsono, Joko Daryanto
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引用次数: 0

摘要

本研究旨在从整体艺术教育的角度描述和分析默迪卡课程四年级音乐内容(SBdP)的学习活动。整体艺术教育包括三个方面:(1) 心灵、(2) 身体和 (3) 精神。这是一项定性案例研究。研究对象包括:SD Negeri Setono 学校的学习活动、教育工作者和四年级学生。数据收集技术包括观察、访谈、文件分析和文献记录。数据的有效性通过来源三角测量和技术进行检验。收集到的数据采用迈尔斯和休伯曼的互动模型进行分析,其概念框架基于整体艺术教育的各个方面。首先,SBdP 音乐课程开发了符合整体艺术教育的三个领域。其中最主要的是 "心 "的领域,而 "身 "的领域(身体技能)和 "灵 "的领域(情感体验)还不够完善。这是因为身体方面的发展需要音乐设备,而学校的乐器和设施不足,导致只注重唱歌教学。此外,由于缺乏对音乐作品的集中欣赏活动,精神方面的发展也很欠缺。其次,本研究考察的学习仍以知识性学习为主,没有提供涉及情感投入和学生能力发展的体验式学习。这也是学校资源和教育工作者能力有限的结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analisis aktivitas pembelajaran SBdP muatan seni musik pada kurikulum merdeka ditinjau dari perspektif pendidikan seni holistik kelas IV sekolah dasar
This research is intended to describe and analyze the learning activities of SBdP (Seni Budaya dan Prakarya) music content in the fourth grade of the Merdeka curriculum from the perspective of holistic art education. Holistic art education encompasses three aspects: (1) mind, (2) body, and (3) spirit. This is a qualitative case study. The approach involves an intensive, detailed, and in-depth examination of the research subject to gather comprehensive information about the topic.The subjects in this study include learning activities, educators, and fourth-grade students at SD Negeri Setono. Data collection techniques include observation, interviews, document analysis, and documentation. Data validity is tested using source triangulation and techniques. Data collected are analyzed using the interactive model by Miles and Huberman with a conceptual framework based on aspects in holistic art education.The results of the research are as follows. First, the SBdP music curriculum has developed the three realms in line with holistic art education. The dominant aspect developed is in the realm of Mind (mind), while the realm of Body (physical skills) and Spirit (emotional experience) are still not well-developed. This is due to the fact that developing the body aspect requires musical equipment, while the school's musical instruments and facilities are inadequate, leading to a focus on singing instruction only. The development of the spirit aspect is also lacking due to the absence of intensive activities for appreciating musical works. Second, the learning examined in this research remains predominantly informative and does not provide experiential learning that involves emotional engagement and the development of students' faculties. This is a consequence of the school's limited resources and the capabilities of the educators.Keywords: education, music, holistic art, elementary school.
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