{"title":"卡梅隆在《阿凡达》中倡导以生物为中心的世界观","authors":"H. K. Lamichhane","doi":"10.3126/ijmss.v5i1.62662","DOIUrl":null,"url":null,"abstract":"This article attempts to examine James Cameron’s movie, Avatar (2009) from the lens of eco-criticism. In particular, the article attempts to examine how Cameron advocates for the necessity of maintaining environmental ethics for nature conservation along with his critique of anthropocentrism throughout the movie. The movie presents a bleak future (mid-22ndCentury) condition of the earth having all the natural resources as already consumed up. With the help of technology, people, however, make their access to the Pandora, a fictional setting which is presented as the home of the Na’vi, and start exploiting natural resources mercilessly destroying their home-tree. To examine Cameron’s advocacy of environmental ethics in the movie, the research incorporates the philosophical ideas from eco-critical theory, especially incorporating theoretical insights from Edward O. Wilson’s “The Environmental Ethic” along with the ideas of other thinkers in the same line of argument. This study is significant as it shows how a literary work like a movie can make advocacy for environmental ethics and critiques anthropocentric hubris that jeopardizes the earth ultimately that Cameron makes through the portrayal of a nature-loving protagonist, Jake Sully. This article, ultimately justifies Avataras an epic movie alerting the humanity of the possibility of the bleak future in the world as a result of Anthropocene, and appeals for the urgency of maintaining environmental ethics to avoid the danger.","PeriodicalId":352884,"journal":{"name":"Interdisciplinary Journal of Management and Social Sciences","volume":"27 17","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cameron’s Advocacy for Bio-Centric World-View in Avatar\",\"authors\":\"H. K. Lamichhane\",\"doi\":\"10.3126/ijmss.v5i1.62662\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article attempts to examine James Cameron’s movie, Avatar (2009) from the lens of eco-criticism. In particular, the article attempts to examine how Cameron advocates for the necessity of maintaining environmental ethics for nature conservation along with his critique of anthropocentrism throughout the movie. The movie presents a bleak future (mid-22ndCentury) condition of the earth having all the natural resources as already consumed up. With the help of technology, people, however, make their access to the Pandora, a fictional setting which is presented as the home of the Na’vi, and start exploiting natural resources mercilessly destroying their home-tree. To examine Cameron’s advocacy of environmental ethics in the movie, the research incorporates the philosophical ideas from eco-critical theory, especially incorporating theoretical insights from Edward O. Wilson’s “The Environmental Ethic” along with the ideas of other thinkers in the same line of argument. This study is significant as it shows how a literary work like a movie can make advocacy for environmental ethics and critiques anthropocentric hubris that jeopardizes the earth ultimately that Cameron makes through the portrayal of a nature-loving protagonist, Jake Sully. This article, ultimately justifies Avataras an epic movie alerting the humanity of the possibility of the bleak future in the world as a result of Anthropocene, and appeals for the urgency of maintaining environmental ethics to avoid the danger.\",\"PeriodicalId\":352884,\"journal\":{\"name\":\"Interdisciplinary Journal of Management and Social Sciences\",\"volume\":\"27 17\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-02-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interdisciplinary Journal of Management and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3126/ijmss.v5i1.62662\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interdisciplinary Journal of Management and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3126/ijmss.v5i1.62662","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文试图从生态批评的角度审视詹姆斯-卡梅隆的电影《阿凡达》(2009 年)。特别是,文章试图研究卡梅隆如何在整部电影中倡导维持环境伦理以保护自然的必要性,以及他对人类中心主义的批判。电影展现了一个黯淡的未来(22 世纪中叶),地球上的自然资源已经消耗殆尽。然而,在科技的帮助下,人们进入了潘多拉星球,这个虚构的星球是纳美人的家园,人们开始无情地开采自然资源,摧毁他们的家园之树。为了研究卡梅隆在电影中倡导的环境伦理,本研究结合了生态批判理论的哲学思想,特别是结合了爱德华-威尔逊(Edward O. Wilson)的《环境伦理》(The Environmental Ethic)一书中的理论见解以及其他思想家的观点。本研究的重要意义在于,它展示了电影这样的文学作品如何倡导环境伦理,并批判了卡梅隆通过塑造热爱自然的主人公杰克-萨利(Jake Sully)最终危害地球的人类中心主义狂妄。这篇文章最终证明《阿凡达》是一部史诗电影,它提醒人类注意人类世可能带来的暗淡未来,并呼吁人们维护环境伦理以避免危险的紧迫性。
Cameron’s Advocacy for Bio-Centric World-View in Avatar
This article attempts to examine James Cameron’s movie, Avatar (2009) from the lens of eco-criticism. In particular, the article attempts to examine how Cameron advocates for the necessity of maintaining environmental ethics for nature conservation along with his critique of anthropocentrism throughout the movie. The movie presents a bleak future (mid-22ndCentury) condition of the earth having all the natural resources as already consumed up. With the help of technology, people, however, make their access to the Pandora, a fictional setting which is presented as the home of the Na’vi, and start exploiting natural resources mercilessly destroying their home-tree. To examine Cameron’s advocacy of environmental ethics in the movie, the research incorporates the philosophical ideas from eco-critical theory, especially incorporating theoretical insights from Edward O. Wilson’s “The Environmental Ethic” along with the ideas of other thinkers in the same line of argument. This study is significant as it shows how a literary work like a movie can make advocacy for environmental ethics and critiques anthropocentric hubris that jeopardizes the earth ultimately that Cameron makes through the portrayal of a nature-loving protagonist, Jake Sully. This article, ultimately justifies Avataras an epic movie alerting the humanity of the possibility of the bleak future in the world as a result of Anthropocene, and appeals for the urgency of maintaining environmental ethics to avoid the danger.