分析动画电影 "蕾雅和最后一条龙 "的背景和叙事方法

Iwan Iwan Muhammad Ridwan
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引用次数: 0

摘要

拉娅和最后一条龙》是由华特迪士尼动画工作室制作的一部动画电影,故事情节是主角拉娅在一个名为库曼德拉的想象国度里的冒险故事。这部动画电影的文化风格和地方特色与东南亚文化(包括印尼文化)如出一辙。正是这些文化特性和符号促使了本研究的开展。通过描述性分析方法,将以罗兰-巴特的符号学理论研究为基础,解释动画电影《拉亚与最后的龙》的视觉叙事和电影叙事中所包含的符号或文化身份的含义。通过使用两个阶段的意义分析,即第一层次的指称意义和第二层次的内涵意义,得出的结果是动画电影每个场景中的几个节选所包含的信息,这些信息显示了东南亚文化符号的含义,以及从每个角色的行为中可以看出的含义,以及对动画电影产生巨大影响的视觉叙事和电影叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALISIS SINEMATIK DAN NARASI VISUAL FILM ANIMASI “RAYA AND THE LAST DRAGON”
Raya and the Last Dragon is an animated film produced by Walt Disney Animation Studios with the storyline of Raya's adventures as the main character in an imaginary country called Kumandra. This animated film has a cultural style and local identity that is identical to Southeast Asian culture, including Indonesian culture. It is these cultural identities and symbols that encourage this research. Through a descriptive analysis method, the meaning of symbols or cultural identities contained in the visual and cinematic narratives of the animated film Raya and the Last Dragon will be explained based on studies using Roland Barthes' semiotic theory. The results obtained from the analysis using two stages of significance, namely the first level of denotational meaning and the second level of connotative meaning, are the messages contained in several excerpts in each scene of the animated film which show the meaning of Southeast Asian cultural symbols, as well as what is visible from the behavior of each character, as well as the visual and cinematic narrative that greatly influences the animated film.
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