更正为女作曲家音乐分析论文:音乐会音乐,1900-1960。Laurel Parsons 和 Brenda Ravenscroft 编辑

IF 1.6 1区 艺术学 0 MUSIC
B. Ravenscroft
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引用次数: 2

摘要

在凯瑟琳的书房里,有一张 "古典音乐大师 "的海报,把音乐史描绘成一棵植根于中世纪欧洲的大树。唯一的一位女性,在树干的最底部,没有照片。海报就是这样印出来的,但凯瑟琳在教书时把它改了。在右上角,她用绘图笔极其工整地印上了自己的名字和简历。她把它贴在哈里森-伯特威斯特(Harrison Birtwistle)和卡尔海因茨-施托克豪森(Karlheinz Stockhausen)之间的缝隙里,就在路易吉-诺诺(Luigi Nono)的上方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Correction to: Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft
In Catherine’s study a poster “The Masters of Classical Music,” representing the history of music as a tree rooted in medieval Europe. the of the like on the branches of the an array of beards and and whiskers and nearer the of the moustaches and spectacles. a testosterone brigade. The only woman, at the very bottom of the tree trunk, did not have a picture. That was how the poster had been printed, but when she was teaching Catherine had changed it. At the top right- hand corner she had, with a mapping pen, printed with extreme neatness her own name and a brief biography. It was in the tone of the other entries and she stuck it into a gap between Harrison Birtwistle and Karlheinz Stockhausen, just above Luigi Nono.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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