{"title":"更正为女作曲家音乐分析论文:音乐会音乐,1900-1960。Laurel Parsons 和 Brenda Ravenscroft 编辑","authors":"B. Ravenscroft","doi":"10.1093/mts/mtae001","DOIUrl":null,"url":null,"abstract":"In Catherine’s study a poster “The Masters of Classical Music,” representing the history of music as a tree rooted in medieval Europe. the of the like on the branches of the an array of beards and and whiskers and nearer the of the moustaches and spectacles. a testosterone brigade. The only woman, at the very bottom of the tree trunk, did not have a picture. That was how the poster had been printed, but when she was teaching Catherine had changed it. At the top right- hand corner she had, with a mapping pen, printed with extreme neatness her own name and a brief biography. It was in the tone of the other entries and she stuck it into a gap between Harrison Birtwistle and Karlheinz Stockhausen, just above Luigi Nono.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Correction to: Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft\",\"authors\":\"B. Ravenscroft\",\"doi\":\"10.1093/mts/mtae001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Catherine’s study a poster “The Masters of Classical Music,” representing the history of music as a tree rooted in medieval Europe. the of the like on the branches of the an array of beards and and whiskers and nearer the of the moustaches and spectacles. a testosterone brigade. The only woman, at the very bottom of the tree trunk, did not have a picture. That was how the poster had been printed, but when she was teaching Catherine had changed it. At the top right- hand corner she had, with a mapping pen, printed with extreme neatness her own name and a brief biography. It was in the tone of the other entries and she stuck it into a gap between Harrison Birtwistle and Karlheinz Stockhausen, just above Luigi Nono.\",\"PeriodicalId\":44994,\"journal\":{\"name\":\"MUSIC THEORY SPECTRUM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-02-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSIC THEORY SPECTRUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/mts/mtae001\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSIC THEORY SPECTRUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/mts/mtae001","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Correction to: Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft
In Catherine’s study a poster “The Masters of Classical Music,” representing the history of music as a tree rooted in medieval Europe. the of the like on the branches of the an array of beards and and whiskers and nearer the of the moustaches and spectacles. a testosterone brigade. The only woman, at the very bottom of the tree trunk, did not have a picture. That was how the poster had been printed, but when she was teaching Catherine had changed it. At the top right- hand corner she had, with a mapping pen, printed with extreme neatness her own name and a brief biography. It was in the tone of the other entries and she stuck it into a gap between Harrison Birtwistle and Karlheinz Stockhausen, just above Luigi Nono.
期刊介绍:
A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.