土耳其当代绘画中的怪诞手法

Mevlüt Ünal, Ahmet Dalkıran
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摘要

共和国时期见证了土耳其艺术的重大变革,绘画艺术也在这一过程中得到了重塑。通过探讨描绘神话主题的绘画中的怪诞元素,本研究旨在了解艺术家使用这些图像的原因以及这些图像的社会、文化和政治背景。本研究分析了共和国时期土耳其绘画中怪诞背景下的人物描写,以及艺术家如何将西方文化和土耳其传统文化的影响融为一体。此外,研究还探讨了怪诞形象的使用是艺术家对当时政治和社会氛围的一种反应,还是一种不同的叙事策略。在此背景下,它提供了对土耳其绘画中的怪诞形象如何反映艺术家的个人表达、社会批判和文化身份的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Grotesque Approaches in Contemporary Turkish Painting
The Republican period witnessed significant changes in Turkish art and the art of painting was reshaped in this process. By addressing the grotesque elements in paintings depicting mythological themes, the study aims to understand the reasons why artists use these images and the social, cultural, and political contexts of these images. The study analyzes the depiction of figures in Turkish painting in a grotesque context during the Republican period and how artists integrated the influences of Western culture as well as traditional Turkish culture. Additionally, it is examined whether the use of grotesque images emerged as a reaction of the artists to the political and social atmosphere of the period or as a different narrative strategy. In this context, it offers an understanding of how grotesque images in Turkish painting reflect the artists' individual expressions, social criticism and cultural identities.
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