叶芝诗歌中的Advaita Vedānta和对超越的诗意探索

IF 0.1 0 LITERARY THEORY & CRITICISM
Dr. Smita
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摘要

本文深入探讨了受人尊敬的爱尔兰诗人 W.B. 叶芝所选诗歌中的吠檀多哲学与对普遍性的追求之间错综复杂的相互作用。吠檀多哲学强调一切存在的内在统一性,本研究以吠檀多哲学的信条为基础,探讨深受东方思想影响的诗人叶芝如何在其诗歌创作中处理和探索这些深刻的思想。通过对部分诗歌的深入分析,我旨在揭示叶芝与吠檀多哲学的微妙联系,在追求普世诗歌愿景的过程中力图超越文化和时间的界限。此外,本文还试图阐明为什么必须从印度的视角来理解世界文学,对这一术语的外来起源提出质疑。该论点认为有必要制定一个植根于印度观点的理论框架,以理解来自全球不同传统的文学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Advaita Vedānta and the Poetic Exploration of Transcendence in W.B. Yeats’ Poetry
This paper delves into the intricate interplay between Vedānta philosophy and the pursuit of universality in select poems by the esteemed Irish poet, W.B. Yeats. Drawing upon the philosophical tenets of Vedānta, which emphasize the inherent unity of all existence, this study examines how Yeats, a poet deeply influenced by the Eastern thought, grapples with and explores these profound ideas in his poetic oeuvre. Through an in-depth analysis of select poems, I aim to unravel the nuanced ways Yeats engages with Vedānta philosophy, seeking to transcend cultural and temporal boundaries in his quest for a universal poetic vision. Furthermore, the paper endeavours to elucidate why it is imperative to comprehend World Literature through Indic perspectives, challenging the foreign origins of the term. The argument posits the need to develop a theoretical framework rooted in the Indian viewpoint to comprehend literature from diverse global traditions.
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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