罗克雅的梦想愿景:一位印度女性的哲学和女性主义皈依

IF 0.1 0 LITERARY THEORY & CRITICISM
Nazan Yıldız Cicekci
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引用次数: 0

摘要

这篇文章从中世纪梦幻小说的角度研究了 Begum Rokeya 的重要作品《苏丹娜的梦》(1905 年),强调了该作品与梦幻小说体裁的匹配性。通过《苏丹娜的梦》,罗克娅将印度妇女带入了一个远离清真寺和禅那的自由境界,主要探讨了性别和教育问题。罗基娅在以梦境为形式的故事中,以萨拉修女为引导,努力提高女性意识,塑造与男性平等的自立女性身份。我将萨拉修女解读为一位睿智的女性,是波爱修斯(Boethius)"女性哲学 "的典范,她出现在中世纪的梦境幻象中,将人们带向真理,在中世纪的背景下皈依基督教,就像《汝德之梦》中一样。文章的结论是,除了她的社区,《苏丹娜之梦》中罗凯亚的呼唤也从中世纪延伸到当代社会,分别在梦境幻象和女权主义乌托邦的环境中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rokeya’s Dream Vision: An Indian Lady Philosophy and Conversion to Feminism
This essay examines Begum Rokeya’s pivotal work Sultana’s Dream (1905) in the context of medieval dream vision by foregrounding its matches with the dream vision genre. With Sultana’s Dream, Rokeya takes women in the Indian community to a realm of freedom away from purdah and the zenana via mainly treating the concerns of gender and education. Rokeya endeavours to raise female consciousness in her story written in a dream format featuring Sister Sara as the guide to forging a self-sufficient female identity equal to men. I read Sister Sara as a wise woman, an exemplar of Boethius’ Lady Philosophy, appearing in medieval dream visions to bring people to the truth, the conversion to Christianity in the medieval setting as in The Dream of the Rood. The essay concludes that, apart from her community, Rokeya’s call in Sultana’s Dream stretches out from medieval to contemporary society within the milieuof a dream vision to a feminist utopia respectively. 
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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