虚拟偶像中的混合偶像:构建电影和媒体中偶像研究的新视角

Jun Dong, Kamal Sabran
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引用次数: 0

摘要

从《玩家一号》到《FREE GUY》,好莱坞科幻电影都取得了不俗的票房成绩,而日本的《初音未来》则在全球范围内赢得了大批粉丝。它们都有一个共同点,或者可以说是一个共同点:主角都是化身。目前,无论是虚拟与真人结合的混合艺术形象《毒液》,还是纯人工智能动画制作的虚拟艺术形象《GUY》,都非常受欢迎,而且两者都符合当下热门的元宇宙概念,具有天然的相似性。如果说虚拟与真人结合的毒液可以成为虚拟偶像,那么这种由纯人工智能动画合成的虚拟形象,都可以成为一种新的虚拟 "偶像",本文旨在将这种纯虚拟形象纳入影视传媒偶像研究的范畴,探讨它们在元宇宙概念下的价值和发展的可行性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hybrid Idol in Virtual Idols: Constructing a New Perspective on Idol Studies in Film and Media
Hollywood science fiction movies from "Ready Player One" to "FREE GUY" have all scored good box office results, while Japan's Hatsune Miku has gained a huge global fan base. They all have one thing in common, or what can be called a common denominator: the presence of avatars in the main roles. Currently, both Venom, a hybrid art figure made of virtual and real people and GUY, a virtual art figure made of pure AI animation, are extremely popular, and both are in line with the current hot meta-universe concept, with natural similarity. If Venom, a combination of virtual and real people, can be a virtual idol, then this virtual image is synthesized by pure AI animation, both of them can be a new kind of virtual "idol", and this article aims to put this kind of pure virtual image into the category of film and media idol research, and explore their value under the concept of the metaverse and The purpose of this article is to investigate the value of these pure avatars in the context of the metaverse concept and the feasibility of their development.
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