网络小说〈约瑟恩-福克斯丑闻〉中经典叙事的接受模式与意义

Hye-sung Park
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引用次数: 0

摘要

本研究考察了在Naver网络小说上连载的网络小说〈长孙狐绯闻〉中对古典叙事的接受,并探讨了网络小说〈长孙狐绯闻〉中接受多种古典叙事的意义。网络小说〈长孙狐绯闻〉的独特之处在于,它通过狐狸巡查官思浩去找回的神兽其实是古典叙事中出现过的动物这一设定,将多种古典叙事作品以总集的形式进行了编排。作品收录的古小说、民间故事等 19 种古典叙事中,以四凤作为皇家巡查使的故事为中心,占总篇幅的 48% 以上。其中,关于四皓当巡抚的故事,采用了 "一个神兽问题的结局=一个经典情节的结局 "的重复结构。因此,读者在阅读有关神兽问题的故事时,可以欣赏到经典叙事。在作品接受的 19 种经典叙事中,1 种是根据变化程度几乎相同的经典叙事,4 种是保持每部经典史诗的共同叙事,只是将出现的人物换成作品中的人物。此外,还有一部接受了经典叙事中的主题,一部将经典叙事作为空间背景的组成部分。作者通过接受每个经典叙事的部分共同叙事,创作了 12 个故事。改动的方法多种多样,有的几乎原封不动地采用作品,有的采用作品的部分内容,然后让作者添加不存在的内容。在内容上,18 集中有 14 集强调了作恶的人物及其受到的惩罚,但不包括采用经典叙事作为空间背景的那一集。网络小说《碧血剑》对经典叙事的接受,首先创造了网络小说的 "苹果酒 "叙事,在读者熟悉的旧故事中强调惩罚。此时,由于恶行所蕴含的问题在当下重演,故事中对惩罚的强调可以给读者带来代入感的满足。其次,利用古典叙事,展现了顺应命运而受挫的神兽和积极开拓命运的人类的形象。因此,伴随着结尾,呈现出一个实现了从神兽到人的转变的人物形象,有助于强调人的意志在有限的生命中创造自己的生活和命运的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The acceptance pattern and meaning of classical narratives in the web novel 〈Joseon Fox Scandal〉
​This study examined the acceptance of classical narratives in the web novel 〈Chosun Fox Scandal〉, which was serialized on Naver Web Novel, and examined the meaning of the acceptance of multiple classical narratives in the web novel 〈Chosun Fox Scandal〉. The web novel 〈Joseon Fox Scandal〉 is unique in that it arranges multiple classical narrative works in an omnibus format through the setting that the divine beast that fox inspector Siho goes to retrieve is actually an animal that appears in classical narratives. The 19 types of classical narratives, including old novels and folk tales, included in the work are centered on stories about Siho’s performance a royal inspector, accounting for more than 48% of the total volume. The story of Siho’s performance as a royal inspector consists of a repetition of the structure of ‘the end of one divine beast problem = the end of one classic episode’. So readers can enjoy the classic narrative while reading the story dealing with the divine beast problem. Among the 19 types of classical narratives accepted in the work, 1 is a classic narrative that is almost the same depending on the degree of variation, 4 are those in which the common narrative for each classical epic is maintained and only the characters that appear are replaced with characters from the work. In addition, there is one that accepts motifs from classical narratives and one that uses classical narratives as a component of the spatial background. There are 12 stories created by the author by accepting part of the common narrative for each classical narrative. The changes utilized a variety of methods, from taking the work almost as is to taking parts of the work and then having the author add content that did net exist. In terms of content, characters who commit evil deeds and their punishment were emphasized in 14 of the 18 episodes, excluding the one that adopted a classical narrative as its spatial background. The acceptance of the classic narrative of the web novel 〈Joseon Fox Scandal〉 first created a ‘cider’ narrative of the web novel by emphasizing punishment in an old story familiar to readers. At this time, since the problems inherent in evil deeds are repeated in the present, the emphasis on punishment in the story can provide vicarious satisfaction to the readers. Second, using classical narratives, it shows the appearance of a divine beast who is frustrated while complying with fate, and a human being who actively pioneers destiny. Therefore, along with the ending, presents the appearance of a character who has achieved a transition from a divine beast to a human being, it contributed to emphasizing the importance of human will in creating one’s own life and destiny in a finite life.
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