"被看见的乐趣":丹尼-莱斯诺访谈录,由史黛菲-麦克奈特博士和朱莉娅-陈博士主持

Dani Lessnau, Stéfy McKnight, Julia Chan
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引用次数: 0

摘要

在构思这期特刊的征集方案时,我们(朱莉娅和斯代菲)想到了一位艺术家:Dani Lessnau。她的作品横跨监视、窥淫癖、欲望和女性快感等复杂问题。我们尤其想重点介绍莱斯瑙于 2017 年创作的挑衅性行为摄影系列《extimité》。她使用插入阴道的针孔摄像机,拍摄与伴侣之间的性亲密关系。我们更广泛地追问:将监视作为一种享乐方式意味着什么?艺术家如何以破坏异性恋的方式颠覆或利用监视者的目光?我们很高兴有机会在这次访谈中与艺术家本人探讨这些矛盾和问题。感谢 Dani 与我们共同探讨这一话题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The Pleasures in Being Seen”: An Interview with Dani Lessnau, Led by Drs. Stéfy McKnight and Julia Chan
When conceptualizing the call for this special issue, one artist came to our (Julia and Stéfy’s) minds: Dani Lessnau. Her work straddles complexities of surveillance, voyeurism, desire, and female pleasure. In particular, we want to highlight Lessnau’s provocative performance photography series extimité created in 2017. Using a pinhole camera inserted into her vagina, she photographs the sexual intimacies and relationships with her partners. We ask more broadly, what does it mean to use surveillance as a method of pleasure? And, how can artists subvert or appropriate the surveillant gaze in ways that disrupt heteropatriarchy? We are grateful to have had the opportunity to explore these tensions and questions with the artist herself in this interview. Thank you, Dani, for engaging with us in this topic.
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