阿伦达蒂-罗伊《小事之神》中的禁忌之爱

Lujaine Mongy Salem
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引用次数: 0

摘要

虽然共同的信仰、标准和规范往往会影响我们对道德是非的看法,但有必要对某些文化理想的起源提出质疑。阿伦达蒂-罗伊(Arundhati Roy)的《小事之神》(The God of Small Things,1997 年)在探讨 "禁忌之爱 "这一主题时,对恪守现状的重要性提出了质疑。书中异托邦空间的使用产生了现实世界的变体,人物可以在其中探索他们的禁忌之恋,挑战社会的束缚。这些异托邦是具有 "他者 "特征的环境,因为它们代表了激烈、不相容或变革的思想(福柯 4)。阿伦达蒂-罗伊(Arundhati Roy)的《小事之神》(The God of Small Things)中的中心人物利用这些空间来审视禁忌之恋的复杂性,并打破现状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forbidden Love in Arundhati Roy’s The God of Small Things
While shared beliefs, standards, and norms can often influence our perception of what is morally right or wrong, it is necessary to question the origin of certain cultural ideals. Arundhati Roy’s The God of Small Things (1997) questions the importance of adhering to the status quo as the novel explores the theme of forbidden love. The use of heterotopic spaces in the book produces variations of the real world where characters can explore their forbidden love interests and challenge societal constraints. These heterotopias are environments that are characteristically 'other' because they represent ideas which are intense, incompatible, or transforming (Foucault 4). Central characters in Arundhati Roy's The God of Small Things use these spaces to interrogate the complexity of forbidden love and disrupt the status quo.
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