格里戈里-戈林的戏剧 "纪念祈祷 "中的什特尔文化代码

Elena Romanovna Kotliar, Natal'ya Anatol'evna Zolotuhina, Arina YUr'evna Zolotuhina
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引用次数: 0

摘要

本文的主题是在格里戈里-戈林(Grigory Gorin)的戏剧 "纪念祈祷 "中识别东欧什台尔城镇的文化代码,该剧的剧本是作者根据著名意第绪语作家肖洛姆-阿莱切姆(Sholom Aleichem)的作品创作的。文章作者描述了东欧和俄罗斯帝国犹太文化本土化的历史和条件、犹太文化转型的特殊性、二十世纪前三十年犹太戏剧的悲惨历史。在城镇消失和意第绪语失传之后,保存犹太人定居点特有的日常生活和哲学生活方式的历史成为博物馆人士、历史学家、作家、剧作家和艺术家的目标。作品以挤奶工泰维、他的家庭和环境为例,揭示了小城镇居民的特征形象、生活习惯、思维方式和行为方式。 文章运用历史主义的方法回顾了斯泰特尔小镇的文化,运用分析方法确定了斯泰特尔小镇的原型,运用综合方法归纳了一系列特色文化代码。研究的主要结论如下1.东欧犹太什特尔小镇是以犹太人为主体的小型城市居住区,其独特的文化由犹太教信仰、 日常和宗教传统、意第绪语以及在小范围内的本地化居住决定。2.2. 在二十世纪初的大规模社会动荡时期,以及随后向城镇以外的地区扩张的过程中,他们的独特文化成为了一种神话,也是由此产生的作家、艺术家、音乐家和戏剧家的基础。犹太剧院 GOSET 是保存这种文化的里程碑之一,但它的存在却在二十世纪中叶不幸夭折。3.3. 格里戈里-戈林(Grigory Gorin)根据肖勒姆-阿莱切姆(Sholem Aleichem)的作品创作的话剧《纪念祈祷》由马克-扎哈罗夫(Mark Zakharov)在伦科姆剧院上演,这部话剧成为什特尔特色形象的精华,同时也是真正犹太文化的复兴。作者的特殊贡献是在剧中突出了什特尔的形象--原型,这些原型已成为犹太意第绪语文化的文化标记或代码。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The cultural code of the Shtetl in Grigory Gorin's play "Memorial Prayer"
The subject of our article is the identification of cultural codes of Eastern European shtetl towns in the play by Grigory Gorin "Memorial Prayer", the libretto of which was written by the author based on the works of the famous Yiddish writer Sholom Aleichem. The author of the article describes the history and conditions of localization of Jewish culture in Eastern Europe and the Russian Empire, the peculiarities of its transformation, the tragic history of the Jewish theater in the first third of the twentieth century. After the disappearance of the towns and the disuse of the Yiddish language, the preservation of the history of the characteristic everyday and philosophical way of life of the shtetls became the goal of museum figures, historians, writers, playwrights, and artists. In the work, using the example of Tevye the milkman, his family and environment, characteristic images of the inhabitants of small towns, their habitat, types of thinking and actions are revealed.  The article uses the methods of historicism in the retrospective of the culture of Shtetl towns, the method of analysis in the identification of Shtetl archetypes, the method of synthesis in the generalization of a set of characteristic cultural codes. The main conclusions of the study are: 1. Eastern European Jewish shtetl towns are small urban-type settlements with a predominantly Jewish population, whose unique culture was determined by the Jewish faith, everyday and religious traditions, the Yiddish language, as well as the localization of residence in a small area. 2. During the period of large-scale social upheavals of the early twentieth century and the subsequent expansion beyond the boundaries of the towns, their unique culture became a mythologeme, the foundation for writers, artists, musicians, and theater figures who emerged from it. One of the milestones in the preservation of this culture was the Jewish theater GOSET, whose existence was tragically cut short in the middle of the twentieth century. 3. The play "Memorial Prayer", written by Grigory Gorin based on the works of Sholem Aleichem and staged at the Lenkom Theater by Mark Zakharov, became the quintessence of the characteristic images of the shtetl, and at the same time the revival of authentic Jewish culture. The author's special contribution is to highlight in the play the images-the archetypes of the Shtetl, which have become cultural markers, or codes of Jewish Yiddish culture.
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