低音提琴颤音分析

Q1 Arts and Humanities
J. Mick
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引用次数: 0

摘要

本研究旨在调查大学低音提琴演奏者揉弦的速度、宽度和音高与音高、所用手指和节奏的关系。40 名本科生和研究生低音提琴演奏者(N = 40)分别用第一、第四和拇指位置演奏了选段。总体平均揉弦速度和宽度分别为 5.17 赫兹和 19 分。分析表明,大学低音提琴演奏者在演奏渐高音域时,揉弦速度更快,宽度更大。三指和四指的揉弦速度最快,但二指的揉弦宽度最大。快节奏演奏的乐曲(5.35 赫兹,20 分)比慢节奏演奏的乐曲(4.94 赫兹,19 分)更快、更宽。参与者的振动几乎同样高于和低于调谐音高--振动和非振动音调的总平均音高相差 1 分。音乐教育工作者可以利用这些结果对低音提琴揉弦进行更一致的描述,并有可能制定出更有效的揉弦教学方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Analysis of Double Bass Vibrato
The purpose of this study was to investigate the rates, widths, and pitches of university double bass players’ vibrato in relation to pitch height, fingers used, and tempo. Forty ( N = 40) undergraduate and graduate double bass players performed excerpts in first, fourth, and thumb positions. The overall mean vibrato rate and width was 5.17 Hz and 19 cents. Analyses indicated that university double bassists employed faster vibrato rates and increased width as they performed in progressively higher registers. The third and fourth fingers vibrated the fastest, but the second finger produced the largest width. Musical examples played with a fast tempo were both faster and wider (5.35 Hz, 20 cents) than musical examples played with a slow tempo (4.94 Hz, 19 cents). Participants vibrated almost equally above and below the in-tune pitch—overall mean pitches of vibrated and non-vibrated tones varied by 1 cent. Music educators may use these results to create more consistent descriptions of double bass vibrato and, potentially, more efficient methods for teaching vibrato.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
9
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