西昆士兰十九世纪的农村犯罪?

Graham McBride
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引用次数: 0

摘要

1895 年 8 月,安德鲁-巴顿-"班卓"-帕特森(Andrew Barton "Banjo" Paterson)在澳大利亚昆士兰州西部温顿(Winton)附近的达格沃斯站(Dagworth Station)探望他的未婚妻时,被一首丛林民谣所打动,这首民谣的知名度甚至超出了他的预期。问题是,是什么情况或事件激发了帕特森的创作灵感,让他写出了这样一首充满激情的民谣。在这首民谣中,无疑是在水塘边发生了一起乡村犯罪,但当时在昆士兰西部牧羊区发生的真实事件已经持续了数年之久。本研究报告认为,在识别犯罪的过程中,我们可以观察到一种对立的二分法,一些边界是封闭的,而另一些边界则是广阔而流动的。每种边界都有其特殊的脆弱性和优势。封闭式边界的位置具有力量,但也容易受到强大力量的侵袭:保护的需求始终存在。还有人认为,这首民谣以农村犯罪为背景,象征着一种不公正感、对不公正和过度使用权力的反抗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Nineteenth Century Rural Crime in Western Queensland?
In August 1895, Andrew Barton “Banjo” Paterson was visiting his fiancée at Dagworth Station near Winton in western Queensland, Australia, when he was moved to write a bush ballad that became more prominent than even he might have expected. The question arises as to what was or were the circumstances or events that stimulated the creative mind of Paterson to write such a spirited ballad. A rural crime was certainly committed down by the billabong in the ballad, but there were real events playing out throughout the western sheep grazing country of Queensland at that time and had been for some years. This research note argues that, in identifying crimes, we can observe a dichotomy of opposites with some boundaries being contained, while others are large and fluid. Each have a particular fragility as well as a strength. Contained boundaries have a placement that has strength, but vulnerability to encroachment by powerful forces: the need to protect is ever present. It is also argued that this ballad, which contextualises a rural crime, serves as an allegory symbolising a sense of injustice, of resistance against injustice and excessive use of power.
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