{"title":"植物意象与情感表达:中国古典诗歌中植物意象的象征意义与传承","authors":"Xingjuan Peng, Huan Cao, Zhaojing Shi, Qiming Cao","doi":"10.54691/3enx8z95","DOIUrl":null,"url":null,"abstract":"The vegetative imagery employed in Chinese classical poetry not only harbors profound cultural significance but also reflects poets' subtle perceptions of nature and life. This study examines how, since the pre-Qin period, Chinese poets have used flora as emotive mediums to intimately link plant life's thriving and withering with human sentiment and destiny. Using \"grass\" and \"willow\" as focal imagery, the study reveals how poets articulated concerns for national fate, sentiments of parting with friends, and admiration for the vigor of life. This paper further analyses the importance of the transmission and international dissemination of vegetal imagery, emphasizing how modern youth should perceive and protect this \"living heritage\" from a multidimensional perspective and proposing how high-quality translations can help the world understand and appreciate China’s exceptional cultural traditions. The study contends that placing vegetal imagery within broader cultural and historical contexts not only deepens our comprehension of our national culture but also serves as an essential conduit to introduce this beautiful cultural heritage to the world. Investigating the unique symbolism of vegetal imagery, emotional expressions in poetry, and its contemporary living heritage, this research offers new perspectives on the international spread of Chinese culture and the enhancement of cultural confidence.","PeriodicalId":476071,"journal":{"name":"Frontiers in Humanities and Social Sciences","volume":"64 5","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Vegetative Imagery and Emotional Expression: Symbolism and Heritage of Plant Imagery in Chinese Classical Poetry\",\"authors\":\"Xingjuan Peng, Huan Cao, Zhaojing Shi, Qiming Cao\",\"doi\":\"10.54691/3enx8z95\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The vegetative imagery employed in Chinese classical poetry not only harbors profound cultural significance but also reflects poets' subtle perceptions of nature and life. This study examines how, since the pre-Qin period, Chinese poets have used flora as emotive mediums to intimately link plant life's thriving and withering with human sentiment and destiny. Using \\\"grass\\\" and \\\"willow\\\" as focal imagery, the study reveals how poets articulated concerns for national fate, sentiments of parting with friends, and admiration for the vigor of life. This paper further analyses the importance of the transmission and international dissemination of vegetal imagery, emphasizing how modern youth should perceive and protect this \\\"living heritage\\\" from a multidimensional perspective and proposing how high-quality translations can help the world understand and appreciate China’s exceptional cultural traditions. The study contends that placing vegetal imagery within broader cultural and historical contexts not only deepens our comprehension of our national culture but also serves as an essential conduit to introduce this beautiful cultural heritage to the world. Investigating the unique symbolism of vegetal imagery, emotional expressions in poetry, and its contemporary living heritage, this research offers new perspectives on the international spread of Chinese culture and the enhancement of cultural confidence.\",\"PeriodicalId\":476071,\"journal\":{\"name\":\"Frontiers in Humanities and Social Sciences\",\"volume\":\"64 5\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Frontiers in Humanities and Social Sciences\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.54691/3enx8z95\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers in Humanities and Social Sciences","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.54691/3enx8z95","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Vegetative Imagery and Emotional Expression: Symbolism and Heritage of Plant Imagery in Chinese Classical Poetry
The vegetative imagery employed in Chinese classical poetry not only harbors profound cultural significance but also reflects poets' subtle perceptions of nature and life. This study examines how, since the pre-Qin period, Chinese poets have used flora as emotive mediums to intimately link plant life's thriving and withering with human sentiment and destiny. Using "grass" and "willow" as focal imagery, the study reveals how poets articulated concerns for national fate, sentiments of parting with friends, and admiration for the vigor of life. This paper further analyses the importance of the transmission and international dissemination of vegetal imagery, emphasizing how modern youth should perceive and protect this "living heritage" from a multidimensional perspective and proposing how high-quality translations can help the world understand and appreciate China’s exceptional cultural traditions. The study contends that placing vegetal imagery within broader cultural and historical contexts not only deepens our comprehension of our national culture but also serves as an essential conduit to introduce this beautiful cultural heritage to the world. Investigating the unique symbolism of vegetal imagery, emotional expressions in poetry, and its contemporary living heritage, this research offers new perspectives on the international spread of Chinese culture and the enhancement of cultural confidence.