普通音乐教育对音景感知的影响

Baoqing Song, Hanchao Zhang, Junpeng Du, Na Na, Yukun Xu, Jian Kang
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摘要

音乐与声景密切相关。本研究采用声景知觉的评价方法和工具,比较了未学习过普通音乐课程的学生(n=80,平均分为 N1、N2)与学习过普通音乐课程的学生(n=40,MU)在四种不同视听环境中对声景知觉的评价。根据四个场景和八个感知维度的问卷调查结果,MU 和 N1 N2 之间存在显著差异(4-5 项),而 N1 和 N2 之间仅存在轻微差异(1 项)。声景感知的差异体现在那些曾接受过普通音乐课程教育的学生对声景元素多样性的评价更高(认为多事),以及对声音环境的情感判断不同(认为平静)。这些差异可通过声景分析工具 Soundscapy 直观显示出来。总之,研究结果表明,学习普通音乐课程能促进对声音更丰富的感知和对声音更清晰的情感联想,而这些提升可以通过声景感知测量方法来呈现。这些研究结果还有助于提高普通音乐课程的教学效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Influence of General Music Education on the Perception of Soundscape
Music is closely related to soundscape. The present study employs methods and tools for assessing soundscape perception to compare the evaluation of soundscape perception between students who had not been taught general music courses (n=80, equal into N1, N2) with that of students who had been taught general music courses (n=40, MU) in four distinct audio-visual environments. According to the results of the questionnaire in four scenes and eight perceptual dimensions, there are significant differences between MU and N1 N2 (4-5 items), whereas there is only a slight difference between N1 and N2 (1 item). The difference in soundscape perception is reflected in those students who had been taught general music courses having a higher evaluation of the diversity of soundscape elements (as eventful), and different emotional judgments of the sound environment (as calm). These differences are visualized using the soundscape analysis tool, Soundscapy. Overall, the findings suggest that taking a general music course promotes richer sound perceptions and clearer affective associations with sound and that these enhancements could be presented using the soundscape perception measurement method. The findings also presented could inform the effectiveness of teaching in a general music course.
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