有钱能使鬼推磨使用 1960 年代印尼盾纸币的女装纺织图案探索

Mega Saffira, K. Kahdar
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引用次数: 0

摘要

本项目研究探讨了将苏加诺-伊里安峇里亚盾钞票的视觉元素作为纺织品图案,然后利用数码印花技术将其制作成女装系列。之所以选择这个主题,是因为社会上存在这样一种现象,即人们往往只把钱看作是一种支付工具,而实际上,它对一个国家来说承载着更多的意义,包括历史、文化和政治信息,因此,它也有资格被称为值得保护的文化遗产产品。保护文化遗产产品视觉元素的另一种方式是纺织品和时尚产品应用。该项目从文献研究和访谈开始,对图案、设计、材料和风格进行探索研究,最后以面料和服装制作完成。方法论中上述方面的考虑是通过设计思维框架和混合方法进行的,其中结合了定性和定量数据的收集和分析。这项实践工作的预期影响是为钞票作为文化遗产文物的案例研究创造一个新的视角,这些文物的设计元素可以通过在创意产业(如纺织品和时尚产品)中的产品应用得以保存。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Money Talks, Fashion Walks: A Textile Motif Exploration in Womenswear Using 1960s Rupiah Banknote
This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of a cultural heritage product is through textile and fashion products application. The project started with literature studies and interviews; explorations of motifs, designs, materials, and also style studies; and was completed with fabric and garments production. The considerations behind the aforementioned aspects in the methodology were made through a design thinking framework with mixed-methodological approach which combines qualitative and quantitative data collection and analysis. The intended impact of this practice work is to create a new perspective towards banknotes as a case study for cultural heritage artefacts whose design elements can be preserved through product application in the creative industry, such as textile and fashion products.
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