{"title":"有钱能使鬼推磨使用 1960 年代印尼盾纸币的女装纺织图案探索","authors":"Mega Saffira, K. Kahdar","doi":"10.4028/p-0d5xup","DOIUrl":null,"url":null,"abstract":"This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of a cultural heritage product is through textile and fashion products application. The project started with literature studies and interviews; explorations of motifs, designs, materials, and also style studies; and was completed with fabric and garments production. The considerations behind the aforementioned aspects in the methodology were made through a design thinking framework with mixed-methodological approach which combines qualitative and quantitative data collection and analysis. The intended impact of this practice work is to create a new perspective towards banknotes as a case study for cultural heritage artefacts whose design elements can be preserved through product application in the creative industry, such as textile and fashion products.","PeriodicalId":511802,"journal":{"name":"Advances in Science and Technology","volume":"57 8","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Money Talks, Fashion Walks: A Textile Motif Exploration in Womenswear Using 1960s Rupiah Banknote\",\"authors\":\"Mega Saffira, K. Kahdar\",\"doi\":\"10.4028/p-0d5xup\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of a cultural heritage product is through textile and fashion products application. The project started with literature studies and interviews; explorations of motifs, designs, materials, and also style studies; and was completed with fabric and garments production. The considerations behind the aforementioned aspects in the methodology were made through a design thinking framework with mixed-methodological approach which combines qualitative and quantitative data collection and analysis. The intended impact of this practice work is to create a new perspective towards banknotes as a case study for cultural heritage artefacts whose design elements can be preserved through product application in the creative industry, such as textile and fashion products.\",\"PeriodicalId\":511802,\"journal\":{\"name\":\"Advances in Science and Technology\",\"volume\":\"57 8\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Advances in Science and Technology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4028/p-0d5xup\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Advances in Science and Technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4028/p-0d5xup","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Money Talks, Fashion Walks: A Textile Motif Exploration in Womenswear Using 1960s Rupiah Banknote
This project-based research examined the explorations of the Soekarno-Irian Barat Rupiah banknotes' visual element as textile motifs, which were then produced into a womenswear collection using the digital printing technique. The topic was chosen based on the phenomenon among the society that often sees money only as a payment tool, while actually, it bears more meanings for a nation, including historical, cultural, and political messages, which makes it eligible to be also known as a cultural heritage product that deserves to be preserved. One alternative to preserving the visual elements of a cultural heritage product is through textile and fashion products application. The project started with literature studies and interviews; explorations of motifs, designs, materials, and also style studies; and was completed with fabric and garments production. The considerations behind the aforementioned aspects in the methodology were made through a design thinking framework with mixed-methodological approach which combines qualitative and quantitative data collection and analysis. The intended impact of this practice work is to create a new perspective towards banknotes as a case study for cultural heritage artefacts whose design elements can be preserved through product application in the creative industry, such as textile and fashion products.