{"title":"投射当今世界:四十年后对沃尔特斯托夫作品和艺术世界的评价","authors":"William Teixeira Da Silva","doi":"10.1163/15685292-02801008","DOIUrl":null,"url":null,"abstract":"<p>This essay aims at an appraisal of Nicholas Wolterstorff’s <em>magum opus</em> on the subject of art, the book <em>Works and Worlds of Art</em>, published in 1980 by the Clarendon Press in Oxford. The book is well known by analytic philosophers of religion, but its innovative value still seems to receive less recognition from other schools of thought and from artists and scholars in the area of Arts. Therefore, this introduction situates the book in the history of Philosophy of Art, with special focus on the state of affairs for the discipline in the twentieth century, engaging dialogue with other philosophical proposals in the period. Finally, the core concepts of Wolterstorff’s philosophy of art will be presented and defined in order to offer a glimpse of the richness that this book could still provide to contemporary scholarship.</p>","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":"101 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Projecting Worlds Today: An Appraisal of Wolterstorff’s Works and Worlds of Art Forty Years Later\",\"authors\":\"William Teixeira Da Silva\",\"doi\":\"10.1163/15685292-02801008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This essay aims at an appraisal of Nicholas Wolterstorff’s <em>magum opus</em> on the subject of art, the book <em>Works and Worlds of Art</em>, published in 1980 by the Clarendon Press in Oxford. The book is well known by analytic philosophers of religion, but its innovative value still seems to receive less recognition from other schools of thought and from artists and scholars in the area of Arts. Therefore, this introduction situates the book in the history of Philosophy of Art, with special focus on the state of affairs for the discipline in the twentieth century, engaging dialogue with other philosophical proposals in the period. Finally, the core concepts of Wolterstorff’s philosophy of art will be presented and defined in order to offer a glimpse of the richness that this book could still provide to contemporary scholarship.</p>\",\"PeriodicalId\":41383,\"journal\":{\"name\":\"Religion and the Arts\",\"volume\":\"101 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Religion and the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/15685292-02801008\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religion and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685292-02801008","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章旨在对尼古拉斯-沃尔斯托夫(Nicholas Wolterstorff)关于艺术主题的巨著《艺术作品与艺术世界》(Works and Worlds of Art)进行评价,该书于 1980 年由牛津大学克拉伦登出版社出版。该书为宗教分析哲学家所熟知,但其创新价值似乎仍较少得到其他思想流派以及艺术领域的艺术家和学者的认可。因此,本导论将该书置于艺术哲学史中,特别关注该学科在二十世纪的发展状况,并与这一时期的其他哲学提议进行对话。最后,将对沃尔特斯托夫艺术哲学的核心概念进行介绍和定义,以便让读者了解该书仍可为当代学术研究提供的丰富内涵。
Projecting Worlds Today: An Appraisal of Wolterstorff’s Works and Worlds of Art Forty Years Later
This essay aims at an appraisal of Nicholas Wolterstorff’s magum opus on the subject of art, the book Works and Worlds of Art, published in 1980 by the Clarendon Press in Oxford. The book is well known by analytic philosophers of religion, but its innovative value still seems to receive less recognition from other schools of thought and from artists and scholars in the area of Arts. Therefore, this introduction situates the book in the history of Philosophy of Art, with special focus on the state of affairs for the discipline in the twentieth century, engaging dialogue with other philosophical proposals in the period. Finally, the core concepts of Wolterstorff’s philosophy of art will be presented and defined in order to offer a glimpse of the richness that this book could still provide to contemporary scholarship.