用罪恶创造想象的停顿:奥斯卡-王尔德和保罗-卡德摩斯的同性恋神学美学

IF 0.1 4区 哲学 0 RELIGION
Nathan E. Fleeson
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引用次数: 0

摘要

奥斯卡-王尔德(Oscar Wilde)和保罗-卡德摩斯(Paul Cadmus)都利用他们的艺术来重新协商我们如何在天主教中想象我们与罪的关系。本文以王尔德式的同性恋神学美学为框架来解读卡德摩斯的艺术,从而引起人们对他们艺术手法之间共鸣的关注。王尔德式的框架利用天主教和同性恋的过激行为作为彼此的衬托,在有可能陷入机械化的文化和宗教传统中创造出想象的停顿。在这种过度的空间里,我们可以摆脱存在的陷阱,以个体的身份生活,将罪视为一种过度,为我们提供了一个想象的停顿,摆脱了单纯的存在。将王尔德式的框架应用于卡德摩斯,重点关注卡德摩斯的作品如何将同性恋和天主教的过剩结合起来,重新谈判天主教对身体的罪恶感,并将身体及其罪恶视为认识自我的场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creating Imaginative Pauses with Sin: The Queer Theological Aesthetics of Oscar Wilde and Paul Cadmus

Oscar Wilde and Paul Cadmus both utilize their art to renegotiate how we imagine our relationship to sin within Catholicism. This article draws attention to resonances between their approaches by presenting a Wildean queer theological aesthetic as a framework to interpret Cadmus’s art. A Wildean framework utilizes the excesses of both Catholicism and queerness as a foil for each other to create pauses for the imagination in a culture and religious tradition that risks falling into mechanization. In the space of that excess, we are allowed to escape the trap of existence to live as Individuals, claiming sin as an excess that offers an imaginative pause out of mere existence. Applied to Cadmus, a Wildean framework focuses on how Cadmus’s works also engages queer and Catholic excess to renegotiate Catholic guilt around the body and instead see the body and its sin as a site to know the Self.

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CiteScore
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