"Ma semblable, ma soeur"：安吉拉-卡特的《被子匠》和奥尔加-托卡尔丘克的 Flights 中的消极能力和自我塑造

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-03-25 DOI:10.1080/00111619.2024.2327418

Dominika Oramus

引用次数: 0

摘要

同时阅读安吉拉-卡特和奥尔加-托卡尔丘克的小说是一种引人入胜但又令人毛骨悚然的体验：这位著名的英国寓言家和这位诺贝尔奖得主、波兰作家兼公共知识分子，都是...

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“Ma semblable, ma soeur”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk

Reading fiction by Angela Carter and Olga Tokarczuk side by side is a fascinating but eerie experience: the celebrated British fabulist and the Nobel-winning Polish writer-cum-public intellectual s...

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.