人类文明时代的当代考古学与文化遗产

Q2 Arts and Humanities
Laurent Olivier
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引用次数: 1

摘要

自然过程与人类活动之间泾渭分明的时代已经过去。至少从 20 世纪中期的 "大加速 "开始,我们已经进入了一个新的阶段,在这个阶段,规模空前的环境变化不再是纯粹的自然变化。相反,它们源于自然和人工混合体的增长。因此,事物和地点不能再一成不变;它们不再遵循我们以往的观念。现在,"非人类 "实体对我们的行为做出了反应,使它们具有内在的文化性和人为性。在当下,这些实体不仅在行动,而且随着时间的推移积累了某种形式的物质记忆。即使是看似惰性的物质也是有生命的,面临着人类世的挑战:这是一个以破坏和摧毁物质记忆为特征的时代。因此,遗产的概念具有了新的意义:它现在意味着什么?我们如何定义拯救、保护甚至承认我们继续称之为考古遗产的东西?人类世最深刻的变革尚未展开,这凸显了考古实践的局限性,考古实践主要关注人类规模的人类创造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contemporary Archaeologies and Cultural Heritage in the Anthropocenic Age
The era in which the distinction between natural processes and human activity was clear has passed. Since at least the 'Great Acceleration' of the mid-20th century, we have entered a new phase where environmental changes, unprecedented in scale, are no longer purely natural. Instead, they stem from the growth of a hybrid aggregate, both natural and artificial. Consequently, things and places can no longer remain unchanged; they do not adhere to our previous conceptions. 'Non-human' entities now respond to our actions, rendering them inherently cultural and anthropogenic. Operating within the present, these entities not only act but also accumulate a form of material memory over time. Even seemingly inert matter is alive, facing the challenges of the Anthropocene: an era characterized by devastation and the destruction of material memory. Thus, the concept of heritage takes on new significance: what does it mean now, and what purpose does it serve? How do we define saving, protecting, or even acknowledging what we continue to call archaeological heritage? The most profound transformations of the Anthropocene are yet to unfold, underscoring the limitations of archaeological practice, which primarily focuses on human creations at a human scale.
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来源期刊
Internet Archaeology
Internet Archaeology Arts and Humanities-Archeology (arts and humanities)
CiteScore
1.10
自引率
0.00%
发文量
9
审稿时长
16 weeks
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