{"title":"喉部对比和声音变化:复音发声和共内含音高的产生和感知:补充材料","authors":"Jiayin Gao, James Kirby","doi":"10.1353/lan.2024.a922787","DOIUrl":null,"url":null,"abstract":"Abstract: Inspired by Beddor 2009, this article explores whether and how trading relations between coarticulatory source and effect may serve as a precursor for sound change. It aims at extending the case of vowel nasalization examined by Beddor to the relationship between closure voicing (source) and co-intrinsic pitch (effect). Through four production and perception studies, we show that the inverse source-effect relation observed for vowel nasalization is not found in the voicing contrast of French, a true-voicing language. Instead, we propose that the phonologization of co-intrinsic pitch (a.k.a. tonogenesis) originates from spontaneous devoicing (a production bias), which subsequently triggers an upweighting of pitch (a perceptual adaptation strategy).*","PeriodicalId":503033,"journal":{"name":"Language","volume":"162 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Laryngeal contrast and sound change: The production and perception of plosive voicing and co-intrinsic pitch: Supplementary material\",\"authors\":\"Jiayin Gao, James Kirby\",\"doi\":\"10.1353/lan.2024.a922787\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: Inspired by Beddor 2009, this article explores whether and how trading relations between coarticulatory source and effect may serve as a precursor for sound change. It aims at extending the case of vowel nasalization examined by Beddor to the relationship between closure voicing (source) and co-intrinsic pitch (effect). Through four production and perception studies, we show that the inverse source-effect relation observed for vowel nasalization is not found in the voicing contrast of French, a true-voicing language. Instead, we propose that the phonologization of co-intrinsic pitch (a.k.a. tonogenesis) originates from spontaneous devoicing (a production bias), which subsequently triggers an upweighting of pitch (a perceptual adaptation strategy).*\",\"PeriodicalId\":503033,\"journal\":{\"name\":\"Language\",\"volume\":\"162 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Language\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/lan.2024.a922787\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lan.2024.a922787","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Laryngeal contrast and sound change: The production and perception of plosive voicing and co-intrinsic pitch: Supplementary material
Abstract: Inspired by Beddor 2009, this article explores whether and how trading relations between coarticulatory source and effect may serve as a precursor for sound change. It aims at extending the case of vowel nasalization examined by Beddor to the relationship between closure voicing (source) and co-intrinsic pitch (effect). Through four production and perception studies, we show that the inverse source-effect relation observed for vowel nasalization is not found in the voicing contrast of French, a true-voicing language. Instead, we propose that the phonologization of co-intrinsic pitch (a.k.a. tonogenesis) originates from spontaneous devoicing (a production bias), which subsequently triggers an upweighting of pitch (a perceptual adaptation strategy).*