进入/可见的阈限与文学作品的缩影力量

Françoise Král
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引用次数: 0

摘要

近年来,"不可见性"(invisibility)已成为人文学科中的一个重要概念;它最初与种族不可见性问题联系在一起,后来被应用于所有形式的边缘化,无论是种族、社会还是政治边缘化。如今,由于媒体对某些事件的密集报道而导致的超可见性,使得讨论 "不可见性 "变得自相矛盾。本文试图将 "不可见性 "作为人文学科的一个重要概念进行重新评估,并讨论文学将 "不可见性 "变为 "可见性 "的作用。本文将通过讨论处理失踪和损失的当代叙事来探讨这一问题,并特别关注中间段落的文学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thresholds of In/Visibility and the Scopic Power of Literature
In recent years the trope of invisibility has emerged as a critical concept in the humanities; initially associated with the issue of racial invisibility, it has been applied to all forms of marginalisation, be they racial, social, or political. Today, the context of hypervisibility, which results from intensive media coverage of certain events, has made discussing invisibility paradoxical. This article seeks to reassess invisibility as a key concept in the humanities and discusses the scopic power of literature to make the unseen visible. This will be approached via discussion of contemporary narratives dealing with disappearance and loss, with a particular focus on the literature of the middle passage.
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