重新设计《北苏门答腊饰品目录》中的圆形构图

Sofi Andriyanti, Syafriyandi Syafriyandi, Fitri Evita, Faudunasokhi Telaumbanua
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引用次数: 0

摘要

北苏门答腊是一个具有文化特色的地区,其文化特色体现在描绘文化遗产哲学的装饰品上。然而,这些装饰品只被放置在旅游景点,尚未成为北苏门答腊人民的必需品。本研究分析了必须以解释的形式翻译成目录的装饰图案。本研究旨在探索北苏门答腊的图案和装饰纹样,以此作为第一步,使北苏门答腊图案和装饰纹样可视化,从而加强当地的文化认同感。研究以定性方法作为艺术审美探索的空间。它展示了目录中的一些可视化内容,作为通过文化装饰图案保护祖先遗产的答案。在研究过程中,研究人员将重新设计北苏门答腊饰品的目录,目录采用圆形构图,可作为指南的主要材料和参考媒介,使已创建的标识标准化,以保持标识的一致性,从而使其在不同地方的摆放位置保持良好的一致性,不会出错。北苏门答腊装饰品被用于包装、便签、名片、邮票、目录以及 Instagram、WhatsApp 和横幅等宣传媒体的辅助媒介。关键词:装饰品、目录、构图、圆形
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Redesign of North Sumatra Ornaments in the Catalog with Circular Composition
North Sumatra is a region with a cultural identity in the form of ornaments depicting a cultural heritage philosophy. However, it is only placed in tourist locations and has yet to become a necessity for the people of North Sumatra. The research analyzes ornamental motifs that must be translated in the form of explanations in a catalog. This research aims to explore the motifs and ornamental patterns of North Sumatra as a first step, so that the visualization of North Sumatran motifs and ornamental patterns can strengthen the local cultural identity. The research uses qualitative methods as a space for artistic–aesthetic exploration. It presents some of the catalog’s visualizations as an answer to preserving ancestral heritage through cultural ornamental motifs. In the research process, the researcher will redesign North Sumatra Ornaments in a catalog with a circular composition, which can be processed as the primary material for a guidebook and as a reference medium to standardize the identity that has been created to maintain the consistency of the identity so that it remains well adhered and is not mistaken in its placement in various places. North Sumatra ornaments are used in supporting media in packaging, notes, business cards, stamps, catalogs, and promotional media such as Instagram, WhatsApp, and Banners. Keywords: ornament, catalog, composition, circular
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