关于带薪音乐治疗实习的立场文件:分析优势、劣势、机会和威胁以启动对话

Michael Silverman
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摘要

音乐治疗实习是学生临床培训的高潮。目前,大多数音乐治疗实习都是无偿的,而其他医疗保健专业则提供带薪实习选择或不要求实习。本立场文件旨在进行 SWOT(优势、劣势、机会和威胁)分析,并就美国的带薪音乐治疗实习展开对话。本文旨在发起对话和交流,并非研究论文。我对带薪音乐治疗实习进行了初步的 SWOT 分析。然后,我与音乐治疗专业的学生、实习主管、临床医生、企业主和教师分享了分析结果,并综合了他们的反馈意见。尽管 SWOT 分析表明当前的实习模式可以培养出优秀的临床医生,但在劳动力多样性、可及性和财务方面还存在不足。通过带薪实习,该专业可能有很多机会来加强自身。在学费和生活费不断攀升的情况下,增加服务对象获得音乐治疗的机会、提高劳动力的多样性和医疗质量是影响带薪音乐治疗实习的重要因素。尽管带薪实习可能超出临床培训主管的控制范围,因此并非在所有情况下都可行,但大量的无薪实习可能会阻碍音乐治疗专业的蓬勃发展,阻碍其使命的实现。该行业可能有机会通过带薪音乐治疗实习来实现自身价值,从而发挥自身的作用。本文最后提出了一些问题和思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Position Paper on Paid Music Therapy Internships: An Analysis of Strengths, Weaknesses, Opportunities, and Threats to Initiate Dialogue
The music therapy internship represents the culmination of students’ clinical training. Currently, most music therapy internships are unpaid while other healthcare professions offer paid internship options or do not require an internship. The purpose of this position paper was to conduct a SWOT (strengths, weaknesses, opportunities, and threats) analysis and initiate dialogue regarding paid music therapy internships in the United States. Designed to initiate dialogue and conversation, this article is not a research paper. I conducted an initial SWOT analysis on paid music therapy internships. I then shared the analysis with music therapy students, internship directors, clinicians, business owners, and faculty and integrated their feedback. Although the SWOT analysis indicated that the current internship model can result in strong clinicians, there are weaknesses regarding workforce diversity, accessibility, and finances. There may be numerous opportunities for the profession to strengthen itself through paid internships. The profession’s mission and values regarding increased access to music therapy for service users, greater workforce diversity, and quality of care amid escalating tuition and cost of living expenses are consequential factors that may influence paid music therapy internships. Although paid internships may be beyond the control of clinical training directors and thus may not be feasible in all contexts, the large number of unpaid internships may hinder the music therapy profession from thriving and advancing toward its mission. The profession may have an opportunity to use its own agency by valuing itself through paid music therapy internships. Questions and considerations are provided to conclude the paper.
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