文化创伤中的幽默符号学:以《瑞克和莫蒂》为例,对通过幽默演变和克服创伤的数字方法进行试点研究

Felix Poschinger, Christopher Shannon
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引用次数: 0

摘要

这项关于文化创伤中的幽默的试验性研究通过 Postman 和 Python 在 Twitter API v2 中使用语音识别和社交媒体分析的创新数字方法,提出了收集和分析符号学和幽默实证数据的不同形式,以便在更广泛的背景下使用。在虚构的情景喜剧《瑞克和莫蒂》(Rick and Morty)中出现的有关 9/11 文化创伤的幽默事例虽然有限,但与第一个事例在结构上不同的第二个事例:路易斯-C.K(Louis C.K.)的单口相声中有关 9/11 的幽默也证实了这一点。根据这些数据,创伤中的幽默似乎经历了与库伯勒-罗斯(Kübler-Ross)悲伤模型相关的 5 个阶段,并通过社会的(数字)参与得到修补。我们认为,社会既塑造了创伤中的幽默话语,也通过幽默话语克服了创伤影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The semiotics of humor in cultural trauma: a pilot study on digital methodology concerning the evolution and overcoming of trauma through humor on the example of Rick and Morty
This pilot study on humor in cultural trauma uses innovative digital methodologies in speech recognition and social media analysis via Postman and Python in the Twitter API v2 to propose different forms to gather and analyze empirical data on semiotics and humor to be used in a broader context. The given example of humorous instances on the cultural trauma of 9/11 in the fictional sitcom Rick and Morty is limited but corroborated by a second example that is structurally different from the first: humor about 9/11 in stand-up comedy by Louis C.K. Based on the data, humor in trauma seems to undergo a 5-phase-typology related to the Kübler-Ross model of grief, which is mended by the (digital) participation of society. Society, we argue, both shapes the discourse on humor in trauma and overcomes the traumatic effects through humorous discourse.
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