Aleksandra Pakiela 的 "看哪,我的身体 "和 Melissa Broder 的 "Mleko i głód" 对饮食失调症的身体表述

Anna Stryjakowska
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引用次数: 0

摘要

文章对亚历山大-帕克耶娃(Aleksandra Pakieła)的文学作品《这是我的身体》(Oto ciało moje)和梅丽莎-布罗德(Melissa Broder)的文学作品《喂奶》(Milk Fed)进行了比较分析,重点是安娜-勒布科夫斯卡(Anna Łebkowska)提出的躯体学概念。它诠释了主人公精神危机的躯体表征,这种躯体表征超越了与饮食失调有关的典型的躯体规训行为。文章强调了主人公在身体和情感上与母亲亲近的需求没有得到满足,这种需求通过从饭菜的口感和温度中获得的愉悦得到了升华,文章还反思了强迫性进食(长期饥饿的结果)与性欲增强之间的关系,这也是两部作品都强调的主题。这些驱动力与女主人公加深与身体的联系、恢复躯体精神一致性的欲望有关。帕基瓦的主人公正走在康复的道路上,而布罗德的主人公则令人不安地从厌食症过渡到暴饮暴食,并与难以抑制的欲望纠缠在一起。在这种情况下,她对爱人身体的描述往往被比作食物,起到了物化对方的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cielesne reprezentacje zaburzeń odżywiania w utworach „Oto ciało moje” Aleksandry Pakieły oraz „Mleko i głód” Melissy Broder
The article presents a comparative analysis of the literary works Oto ciało moje (This is my body) by Aleksandra Pakieła and Milk Fed by Melissa Broder, focusing on the concept of somatopoetics as conceptualized by Anna Łebkowska. It interprets the somatic representations of the protagonists’ mental crises, which extend beyond typical acts of body disciplining associated with eating disorders. Highlighting the protagonists’ unsatisfied need for physical and emotional closeness to their mothers, a need sublimated through the pleasure derived from the texture and warmth of meals, the article also reflects on the relationship between compulsive eating, a result of prolonged starvation, and increased sexual desire, a theme emphasized in both works. These drives are linked to the heroines’ desires to deepen their connection with their bodies and restore somatopsychic coherence. While Pakieła’s protagonist is on the path to recovery, Broder’s protagonist disturbingly transitions from anorexia to binges, entwined with overwhelming lust. In this context, descriptions of her lover’s body, often likened to food, serve to objectify the other person.
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