{"title":"从反乌托邦文学流派的历史。论叶甫盖尼-扎米亚京的《我们》与西阿-冯-哈布的《大都会》之间(并不)明显的亲缘关系","authors":"Patryk Witczak","doi":"10.36770/bp.864","DOIUrl":null,"url":null,"abstract":"The main aim of the article was to demonstrate the similarities between Yevgeny Zamyatin’s novel We and Thea von Harbou’s Metropolis. The analysis reveals that these similarities are primarily evident in the depiction of space, plot, and character development. Regarding plot structure, female characters assume leading roles in both narratives. The antinomic pairs of women created by Zamyatin and Harbou surprisingly bring the two analyzed novels closer together. O-90 and Maria represent the archetype of the ideal mother ready for great sacrifices, embodying the power of creation. Conversely, I-330 and the false Maria are femme fatales, embodying the power of destruction. They become catalysts for social tensions. In their portrayal of these heroines, Zamyatin and Harbou draw upon Christian and mythological symbolism, creating distinctive images of the Virgin Mary and Lilith. Crucially, within these strongly masculinized worlds, women are the ones who actively initiate changes in their respective realities.","PeriodicalId":445064,"journal":{"name":"Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne","volume":"39 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Z historii gatunku antyutopii literackiej. O (nie)oczywistych powinowactwach „My” Jewgienija Zamiatina i „Metropolis” Thei von Harbou\",\"authors\":\"Patryk Witczak\",\"doi\":\"10.36770/bp.864\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The main aim of the article was to demonstrate the similarities between Yevgeny Zamyatin’s novel We and Thea von Harbou’s Metropolis. The analysis reveals that these similarities are primarily evident in the depiction of space, plot, and character development. Regarding plot structure, female characters assume leading roles in both narratives. The antinomic pairs of women created by Zamyatin and Harbou surprisingly bring the two analyzed novels closer together. O-90 and Maria represent the archetype of the ideal mother ready for great sacrifices, embodying the power of creation. Conversely, I-330 and the false Maria are femme fatales, embodying the power of destruction. They become catalysts for social tensions. In their portrayal of these heroines, Zamyatin and Harbou draw upon Christian and mythological symbolism, creating distinctive images of the Virgin Mary and Lilith. Crucially, within these strongly masculinized worlds, women are the ones who actively initiate changes in their respective realities.\",\"PeriodicalId\":445064,\"journal\":{\"name\":\"Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne\",\"volume\":\"39 6\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36770/bp.864\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36770/bp.864","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Z historii gatunku antyutopii literackiej. O (nie)oczywistych powinowactwach „My” Jewgienija Zamiatina i „Metropolis” Thei von Harbou
The main aim of the article was to demonstrate the similarities between Yevgeny Zamyatin’s novel We and Thea von Harbou’s Metropolis. The analysis reveals that these similarities are primarily evident in the depiction of space, plot, and character development. Regarding plot structure, female characters assume leading roles in both narratives. The antinomic pairs of women created by Zamyatin and Harbou surprisingly bring the two analyzed novels closer together. O-90 and Maria represent the archetype of the ideal mother ready for great sacrifices, embodying the power of creation. Conversely, I-330 and the false Maria are femme fatales, embodying the power of destruction. They become catalysts for social tensions. In their portrayal of these heroines, Zamyatin and Harbou draw upon Christian and mythological symbolism, creating distinctive images of the Virgin Mary and Lilith. Crucially, within these strongly masculinized worlds, women are the ones who actively initiate changes in their respective realities.