母亲奥里萨邦、母亲印度、母亲维多利亚:殖民时期奥里萨邦的民族生活表现形式

Dasarathi Moharana, Urmishree Bedamatta
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引用次数: 0

摘要

20 世纪初,英属印度的奥里萨邦被肢解得支离破碎。殖民时期的奥里萨邦民族主义领导人经常将该省描绘成一个被毁容的母亲,以唤起奥迪亚人的民族主义情绪,并争取支持将邻近省份的奥里雅语区统一起来,形成一个独立完整的奥里萨邦。这一时期的一幅画描绘了一位代表 "母亲奥里萨邦 "的妇女被一位英国人放在桌子上解剖,周围是代表孟加拉、马德拉斯和比哈尔邦的狼头人,他们反对奥里萨邦统一的主张。然而,这些领导人小心翼翼,避免营造一种胁迫的环境,并努力允许表达差异,以促进健康的民族生活。他们做到这一点的方法之一就是努力团结奥里萨邦的内部宗教团体,同时也呼吁有必要将生活在奥里萨邦的不同地区的人民团结在一起。此外,他们还在三位母亲之间平衡自己的忠诚和奉献:母亲奥里萨邦、母亲印度和母亲维多利亚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mother Orissa, Mother India, Mother Victoria: Expressions of National Life in Colonial Orissa
In the early 20th century, Orissa, a province in British India, was marked by dismemberment and fragmentation. Nationalist leaders in colonial Orissa often portrayed the province as a disfigured mother to evoke nationalist sentiment among the Odia people and garner support for the unification of the Oriya-speaking tracts in adjacent provinces to form a separate and complete Orissa province. One painting from the period depicts a woman representing “Mother Orissa” being dissected on a table by an Englishman and surrounded by wolf-headed figures representing Bengal, Madras, and Bihar, who were opposed to the idea of Orissa’s unification. However, these leaders were careful not to create an environment of coercion and sought to allow for expressions of difference to foster a healthy national life. One way they did this was by trying to unite intrareligious groups in Orissa while also calling for the need to bring together people of different regions living in Orissa. Additionally, they balanced their allegiance and devotion among three mothers: Mother Orissa, Mother India, and Mother Victoria.
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