古代乌尔比诺公国(意大利中部)文艺复兴时期绘画的背景:通过将地质遗产纳入联合国教科文组织文化景观,探索地质遗产价值评估的新形式

O. Nesci, Rosetta Borchia, L. Valentini
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引用次数: 0

摘要

古老的乌尔比诺公国(意大利马尔凯大区和艾米利亚-罗马涅大区)以其与独特地质历史相关的壮观景观而闻名。该地区还拥有一种意想不到的文化资源,那就是将其景观用于艺术创作。文艺复兴时期的一些伟大艺术家,包括皮耶罗-德拉-弗朗西斯卡、拉斐尔和莱昂纳多,都对这里的风景留下了深刻的印象,并将其再现于自己最著名的画作中。本文总结了与识别这些景观有关的研究,采用多学科方法识别了许多形态。这篇论文为科学界提供了有关该地区为改善其文化景观而开发的方法以及地区和国家项目的信息。从该地区的地质描述开始,研究重点放在文艺复兴时期三位伟大艺术家的著名作品上,提供了与地点识别相关的证据和形态细节:皮耶罗-德拉-弗朗西斯卡的 "耶稣诞生"、达-芬奇的 "Madonna Litta "和拉斐尔的 "骑士之梦"。最后,建议将这些景观列入联合国教科文组织文化遗产,使其成为永恒的资源。这篇文章面向艺术和景观遗产的管理、保护和提升方面的代表,以激发该领域文化遗产的研究、教育和旅游的新视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Backgrounds of Renaissance Paintings in the Ancient Duchy of Urbino (Central Italy): Exploring New Forms of Valorization of Geoheritage through Their Inclusion in UNESCO Cultural Landscapes
The ancient Duchy of Urbino (Marche and Emilia-Romagna Regions, Italy) is known for its spectacular landscapes linked to a unique geological history. This area owns an unexpected cultural resource, which concerns using its landscapes in art. Some great Renaissance artists, including Piero della Francesca, Raphael, and Leonardo, were so impressed by the landscapes that they reproduced them in their most famous paintings. This paper summarizes research concerned with their identification, employing a multidisciplinary method that has enabled the recognition of many morphologies. This contribution provides the scientific community with information on the methodology and regional and national projects developed in this area to enhance its cultural landscapes. Starting from the geological description of the territory, the research focuses on famous works by three great Renaissance artists, providing evidence and morphological details related to the recognition of places: “Nativity” by Piero della Francesca, “Madonna Litta” by Leonardo da Vinci, and “Knight’s Dream” by Raphael. Finally, it is proposed to make these landscapes a timeless resource through their inclusion in UNESCO’s cultural heritage. This contribution is addressed to representatives of the administration, conservation, and enhancement of artistic and landscape heritage to stimulate new perspectives for research, education, and tourism within the cultural heritage of this area.
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