甘德斯海姆的赫罗兹维特与哲学

IF 0.2 0 RELIGION
Nova Prisutnost Pub Date : 2024-03-15 DOI:10.31192/np.22.1.2
Barbara Ćuk
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引用次数: 0

摘要

甘德斯海姆的赫罗兹维特将音乐和算术视为哲学的一部分。她在介绍自己从事文学创作的动机和写作过程时说,她用自己的作品颂扬上帝,并在其中融入了古代哲学的丝丝缕缕。本文旨在深入探讨赫罗兹维特的哲学知识,以及她在剧本《帕普努提乌斯》和《萨皮恩提亚》中处理算术和音乐学科内容(尤其是人类音乐和世界和谐)的方法的特殊性和意义,分析其作者自我认知的不同要素,强调她与奥古斯丁对音乐理解的相似之处,以及某些类型写作的作用。本文的结论是,赫罗兹维特将她对古代和中世纪音乐和数字理论的认识和理解独特地融入了她的戏剧中,在对它们的阐释中表现出独创性,并将它们与日常道德生活和教育相结合。这样,她作品中鲜有涉及的哲学元素就得到了呈现和评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hrotsvit of Gandersheim and Philosophy
Hrotsvit of Gandersheim sees music and arithmetic as parts of philosophy. Presenting the motives for engaging in literary creativity and describing her writing process, she says that by glorifying God with her work, she incorporated threads and pieces of the ancient mantle of philosophy into it. The paper aims to provide insight into Hrotsvit’s knowledge of philosophy and the specificities and significance of her approach to the contents of the disciplines of arithmetic and music (in particular to musica humana and the harmony of a world) in her plays Paphnutius and Sapientia, to analyze different elements of her authorial self-perception and to emphasize the similarities between her and Augustine’s understanding of music, and the role of certain types of writing. The paper concludes that Hrotsvit incorporated her knowledge and understanding of ancient and medieval theories of music and numbers into her plays uniquely, showing originality in their interpretation and merging them with everyday moral life and education. In this way, the rarely treated philosophical elements of her oeuvre are presented and evaluated.
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来源期刊
Nova Prisutnost
Nova Prisutnost RELIGION-
CiteScore
0.40
自引率
50.00%
发文量
29
审稿时长
8 weeks
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