{"title":"论动画电影《美猴王》中孙悟空的角色设计：孙悟空：大圣归来","authors":"Yuanmei Wang","doi":"10.54097/hiaad.v5n2.12","DOIUrl":null,"url":null,"abstract":"The Monkey King: Hero Is Back being a successful attempt of 3D computer animation in cinemas in inland China. As one of the main characters, the Monkey King has a direct connection with the success of the film. This paper aims to understand the inheritance and innovation of the Monkey King's character image in this animation by comparing the identity, image and character of the Monkey King with the image design of the Monkey King in previous artistic images.","PeriodicalId":504623,"journal":{"name":"Highlights in Art and Design","volume":"66 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On the Character Design of Monkey King in the Animated Film The Monkey King: The Return of the King\",\"authors\":\"Yuanmei Wang\",\"doi\":\"10.54097/hiaad.v5n2.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Monkey King: Hero Is Back being a successful attempt of 3D computer animation in cinemas in inland China. As one of the main characters, the Monkey King has a direct connection with the success of the film. This paper aims to understand the inheritance and innovation of the Monkey King's character image in this animation by comparing the identity, image and character of the Monkey King with the image design of the Monkey King in previous artistic images.\",\"PeriodicalId\":504623,\"journal\":{\"name\":\"Highlights in Art and Design\",\"volume\":\"66 6\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Highlights in Art and Design\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54097/hiaad.v5n2.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Highlights in Art and Design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54097/hiaad.v5n2.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
On the Character Design of Monkey King in the Animated Film The Monkey King: The Return of the King
The Monkey King: Hero Is Back being a successful attempt of 3D computer animation in cinemas in inland China. As one of the main characters, the Monkey King has a direct connection with the success of the film. This paper aims to understand the inheritance and innovation of the Monkey King's character image in this animation by comparing the identity, image and character of the Monkey King with the image design of the Monkey King in previous artistic images.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
