梦见 Cydalise:嵌合体、毁容、翻译

IF 0.2 3区 文学 0 LITERATURE
ORBIS LITTERARUM Pub Date : 2024-03-17 DOI:10.1111/oli.12441
Dinu Luca
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引用次数: 0

摘要

本文认为,翻译与其他类型的语言传递一样,可以被视为一种有益的补救工作。为了说明这一点,我讨论了将 "Cydalise "诗化的五次尝试,"Cydalise "是泰奥菲尔-戈蒂埃(Théophile Gautier,1811-1872 年)梦想成真的一个嵌合体。在介绍了 "茜达丽丝 "之后,我研究了戈蒂埃对这一奇美拉进行的三次失败的文本化,以及由此产生的中国风文学和粉彩文学的早期代表作。然后,我探讨了罗马尼亚作家瓦西里-阿莱桑德里(Vasile Alecsandri,1821-1890 年)在努力捕捉戈蒂埃的 "现实之梦 "的过程中,对中国风(和粉彩画)的挪用、改编和爆破所造成的 "Cydalise "毁容。接下来,我将追溯中国诗人邵洵美(1906-1968 年)最终将《赛德莱斯》转化为文本的翻译过程,同时他也向翻译的力量致敬。最后,我将为我所想象的超文本景观勾勒出更清晰的轮廓,它同样欢迎原作、译作以及介于两者之间的一切。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dreaming of Cydalise: Chimeras, disfiguration, translation
This essay argues that translation, next to other kinds of language ferrying, can be profitably seen as remedial work. To make this point, I discuss five attempts at poetising ‘Cydalise’, a chimera dreamed into being by Théophile Gautier (1811–1872). After introducing it, I investigate three of Gautier's failed textualisations of this chimera and the resulting early tokens of literary chinoiserie and literary pastel. I then explore the disfigurations Cydalise suffers at the hands of Romanian writer Vasile Alecsandri (1821–1890) as he appropriates, refashions and explodes chinoiserie (and distorts pastel) in his endeavour to capture Gautier's ‘dream in its reality’. I next trace the translatorial moves Chinese poet Shao Xunmei (1906–1968) enacts finally to transport Cydalise into text, as he also pays discreet homage to the powers of translation. I conclude by giving firmer contours to the hypertextual landscape I imagine, which equally welcomes originals, translations and everything in between.
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来源期刊
ORBIS LITTERARUM
ORBIS LITTERARUM LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
38
期刊介绍: Orbis Litterarum is an international journal devoted to the study of European, American and related literature. Orbis Litterarum publishes peer reviewed, original articles on matters of general and comparative literature, genre and period, as well as analyses of specific works bearing on issues of literary theory and literary history.
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