女性、帝国与昆虫学:埃莉诺-格兰维尔的琵琶燕尾的实物传记,约 1700 年

Michele D. Pflug
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摘要

如今,人们通常会想起英国蝴蝶第一夫人埃莉诺-格兰维尔(1655-1709 年)。在格兰维尔生前,她在伦敦博物学家中享有盛誉,是英格兰西南部地区精明的蝴蝶收藏家。然而,通过查阅格兰维尔的资料档案,即她收藏在伦敦自然历史博物馆的现存标本,我们可以发现格兰维尔作为美洲珍稀蝴蝶收藏家所取得的成功,以及她与殖民地收藏的共谋。这篇文章介绍了一件标有 "格兰维尔 "字样的燕尾蝶标本(约 1700 年)。文章追溯了这只蝴蝶标本在美洲的模糊起源,到格兰维尔在大西洋港口城市布里斯托尔的住所,再到伦敦博物学家的奇珍橱柜,在那里它成为了帮助建立大英博物馆--第一个公共博物馆--的藏品的一部分。这件藏品的生命周期证明了帝国在一位妇女收藏昆虫的过程中所发挥的作用,以及她对当今博物馆建设的贡献。它还表明,虽然帝国为一些女性博物学家提供了机会,但并不一定会提高她们作为收藏家的声誉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women, Empire, and Entomology: An Object Biography of Eleanor Glanville’s Pipevine Swallowtail, c. 1700
Today, the gentlewoman Eleanor Glanville (1655–1709) is often remembered as the first lady of British butterflies. In Glanville’s own lifetime, she gained a reputation amongst London naturalists as an astute collector of butterflies from the South West region of England. Yet, a turn towards Glanville’s material archive, namely, her extant specimens held at the Natural History Museum, London, reveals Glanville’s success as a collector of rare butterflies from the Americas and thus, her complicity in colonial collecting. This article provides an object biography of a single pipevine swallowtail or Battus philenor, c. 1700, labeled “Glandvill.” It follows the butterfly specimen from its obscure origins in the Americas, to Glanville’s residence in the Atlantic port city of Bristol, and to London naturalists’ cabinets of curiosities, where it would became part of a collection that helped found the British Museum, the first public museum of its kind. The life cycle of this object attests to the role that empire played in building one woman’s collection of insects and her contributions to the making of present-day museums. It also suggests that while empire opened up opportunities for some women naturalists, it did not necessarily advance their reputations as collectors.
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